Distortion in cheap 50mm 1.4

sanmich

Veteran
Local time
12:49 PM
Joined
Nov 3, 2006
Messages
3,416
Long story short, although I loved the lens for its quality/price ratio, a few years ago, I sold my canon 1.4 mainly because of its distortion. For its min focus of 1m and long throw too.
Lately, I have found myself pushing film with a 50mm f/2, and well...it's pushing.
So I wondered if keeping such a cheap 1.4 50mm for the occasional occasion would make sense.
The only contender in this price range would be the Nokton ltm.
Today I tested the two to see if the Nokton is better in terms of distortion. Here are the results. They are roughly equivalent, with a distortion that, given the right situation, can obviously get in the way.
The canon 1.8 is better in that regard.
Incidentally the Nokton seems a tiny bit sharper than the canon at full aperture in the corners, but this wasn't the goal of that test, and something finer than TX would be needed to show the differences.
 

Attachments

  • 005 canon 1.4.jpg
    005 canon 1.4.jpg
    37.4 KB · Views: 0
  • 006 Nokton.jpg
    006 Nokton.jpg
    38.5 KB · Views: 0
  • 004 canon 1.8.jpg
    004 canon 1.8.jpg
    38.5 KB · Views: 0
I used to have the SLR canon EF 50/1.4 and always thought the distortion was just a part of its character. Still, if you're shooting straight lines it could be a problem.
 
I have almost never let distortion worry me too much - and I shoot a lot of buildings and the like. The thing is its relatively easy to fix in post processing with the right software. I use Corel Paintshop Pro 14 and its every bit as good as Photoshop - but is cheaper and has some great tools for photographers including pin-cushion and barrel distortion correction (plus stuff like straightening tools and perspective correction etc). Fixing lens distortion is mostly a matter of just using a slider in the filter - except in those more unusual cases where the lens produces a wavy kind of distortion. That's much harder to fix.

My rule of thumb is to pick a lens that is sharp (this cant be fixed in post) and preferably sharp wide open if at all possible. Second I look to fringing in high contrast areas as that's a little hard to fix as well. Third I will look at color and general rendering. Forth I will think about how sharp the edges are versus the centre. In practice having softer edges is seldom an issue. Vignetting does not bother me. And as stated above neither does distortion - its way down the list of my concerns as the other factors are jsut so much more important.
 
It sounds like you're looking for 50mm f1.4 Nokkor-sc in ltm ?

Everything is compromise in life:

You're apparently right about Sonnars being distortion free.
trouble is, they bring with them focus shift and limited min focus.
it may sound like I'm looking for the summilux asph, but paying 2000$ (over the cron I have) for my very occasional use of 1.4 is way past silly.

The canon/Nokton may well be the best compromise for me. Haven't decided yet. I just wanted to check the Nokton in that regard, to see if it was distortion free, and unfortunately it's not.
 
I don't know about Sonnars in general but my Jupiter 3 certainly isn't distortion free.

Your comparison was very interesting by the way. I'm familiar with the behavior of the Canon but expected the Asph Voigtlander to have less distortion than it does.
 
I like a bit of distortion in fast lenses.

I also like a bit of distortion in vacuum tube guitar amp circuits too.
 
I often use the Zeiss Planar 50/1.4 in Rollei QBM mount with M 4/3 cameras. The Canon 50/1.4 LTM is a very nice lens, and so is the Nikkor 50/1.4 ltm or S. It depends on your camera body.
 
I am guessing that he means the Canon RF lenses in LTM. The 1.4 Canon or the Nikon 50/1.4 are great lenses for not much money.
 
M4. I have a 50mm 1.4 Canon LTM on the way. But only can test with film, so results may take a few weeks. The summilux 50s were fine (vIIs, VIII pre-asphs). The 50 asph always had too much distortion for me. The Noctilux (F1 E60) was acceptable. Various Hexanons, and CVs. I don't mind going to a Leica 'lux pre-asph again, just want to try the lenses I haven't yet, which include the Canon 50s.
 
Nikon 50mm 1.4 LTM

Nikon 50mm 1.4 LTM

I love the size of this lens, but never appreciated the bokeh of it. I plan to shoot wide open most of the time.

I am guessing that he means the Canon RF lenses in LTM. The 1.4 Canon or the Nikon 50/1.4 are great lenses for not much money.
 
Back
Top Bottom