Steven Dooley
Established
Ok, as promised I did a write-up on Summicron v4 innards, available here. Hope it will be useful..
Well done on the reassembly!
I quite enjoyed reading it.
Ok, as promised I did a write-up on Summicron v4 innards, available here. Hope it will be useful..
the old 35mm f2.8 Summaron is a great choice, in my opinion. The summaron is not too expensive (around $500-650 used). It's also super sharp, tiny, and beautiful, as long as you can deal with the limitations of f2.8
Just my 2 cents
I voted for the summi V3 since you don't get a summi V4 for usd 1000, and I like the summis better than the other lenses.
but before buying into summi's you could just start with a nice 2.8 summaron,
Oh I see just now that Johan shares the same idea, then it must be a very good advice, Great!
Just spent a few weeks looking for a good 35mm. Last week I had minimal cash, so I got a cheap CV color skopar 2.5 - this week I'm getting a big tax return so that might go away soon. The 35 I found I wanted, after much research (I'm sure I could do more) is the ZM F/2. The main thing I was looking for was the Distortion Curve. The Zeiss F/2 has an almost perfectly straight curve until it reaches infinity, and then it's about a -.3 which is absolutely nothing. Just an opinion, but I believe the Distortion Curve of a lens is the most important thing to look at. Secondly I would look at the amount of Contrast.
"I find the 2.8 too slow for a place like here in the very north." -from earlier in this thread.
I live in Michigan. I have yet to see much sunlight for shooting. ...a day here or there at best. I still shoot 25 ISO film with no trouble. F/2.8 should do just fine, I would think.
^--- No joke. A used f/2.5 Summarit is very nearly as good, though.