Gabriel M.A.
My Red Dot Glows For You
As long as the lenses don't render "old fashioned" chromatic aberration, coma, or over-corrected bokeh, I'm fine with "old fashioned".amateriat said:Mehinks it depends on what's meant as "old fashioned."
Well, there's the Summitar, which is an "old fashioned" lens, and has some rough edges, but I still love it. I love the original Summarit (yes, a leased Xenar, I know).
I think f/2.5 is to go back to what Max Bereck gently put as the desire of the "common shooter" to have things reasonably "in focus" while allowing some user focus error. This, of course, applies best with the 35mm and 50mm lenses, anything longer is going to be tricky.
I still think they're making a mistake with the 35mm and 50mm lenses. The Elmar is well-priced new, and the 35mm Summicron would experience more sales if they set the price at $1500. Of course, I'm pulling this out of my @$$ because I don't know what the real cost considerations are involved in the production and delivery of these lenses.
I know I won't be buying the f/2.5 lenses. f/2.0 is my comfortable limit (as an available light, and narrow DOF shooter), and only a few current f/2.8 designs please me (90 Elmarit, 50 Elmar).
But more power to the masses with their collective purchases and their "who cares if it's made perfectly, as long as I get a good enough image" philosophy.