raid said:
Does anyone here own a Canon 85mm/1.5 lens?
If so, is it worth the large amount of money that is being asked for such a lens?
I've got one. It's heavy, and it isn't nearly as sharp aperture for aperture as the 100mm f/2... so I admit that I usually choose the 100/2. So, if you're looking for a Canon medium tele to use for photography, I think the 100 would be a better investment. I'd guess that the high prices for the 85/1.5 have more to do with rarity and "exoticness" than with any especially noteworthy performance characteristics.
My other issue about the 85/1.5 is that, while some lenses that aren't terribly sharp at full aperture at least have an unsharpness that's "pretty" or "interesting" (the Canon 50/1.2 and 50/0.95 are two examples that come to mind) the 85/1.5's lack of sharpness at f/1.5 isn't especially aesthetic -- it's just mushy. (If you're into "digital darkrooming," though, it's a kind of mushiness that does seem to clean up pretty well in software -- the new "Clarity" control in Lightroom 1.1 seems to help quite a bit.)
I'll attach a couple of recent pictures that I
think were made with a Canon 85/1.5... I say
think because my Epson R-D 1 doesn't record lens metadata and sometimes it's hard for me to remember which lens I had on the camera for what shot under fast-paced conditions! I'm inferring that these were made with the 85 (rather than the 50/0.95, which I also took to the same dimly-lit event) on the basis of framing, angle of view, etc.
As you can see, it does produce
usable results (keeping in mind that these were really awful shooting conditions) and obviously there are situations in which the nearly 1 extra stop of maximum aperture vs. the 100/2 is useful. I still say, though, that if you're looking for fast Canon teles to buy, look for a 100/2 (or maybe an 85/1.8) first and
then pursue an 85/1.5 if it appeals to you. In fact, if I had it to do over, I might be tempted to eat the 1/3 stop light loss and seek the 85/1.8 instead (also expensive and scarce, but reputed to be an excellent performer.)
85/1.5 pics, made with an R-D 1 at EI 1600 and full aperture:
Detail from above at original pixel resolution (enhanced with Lightroom's "Clarity" control):
Another from the same concert; at least the highlights don't flare out too badly (much better in this regard than the early-model 90/2 Summicron I owned years ago):
And an original-pixels detail from that one: