sem
Registered User
martin-f5
Well-known
I just like to ask, which film is like trix in rodinal, but much slower for using it in summer.
Searching for something like the picture.
Thanks for every tipp.
sem
may be fomapan 100
or ILFORD FP4
shimo-kitasnap
everything is temporary..
trix are for kids........
retnull
Well-known
Great photo!
Maybe try Fuji Acros.
Maybe try Fuji Acros.
sem
Registered User
if it works, I like to be a kid
Martin, did you develop fomapan in rodinal?
And could you post a picture from it, please.
Martin, did you develop fomapan in rodinal?
And could you post a picture from it, please.
David Goldfarb
Well-known
FP4+ or Efke 100 have something of the Tri-X feel among slower films. I don't normally process them in Rodinal though.
Chriscrawfordphoto
Real Men Shoot Film.
FP4+ or Efke 100 have something of the Tri-X feel among slower films. I don't normally process them in Rodinal though.
FP-4 Plus in Rodinal has beautiful Tonality. I have never used it in 35mm though, only in 120, but I like it:


Teus
Thijs Deschildre
easiest question ever: Plus-X, ISO 125I just like to ask, which film is like trix in rodinal, but much slower for using it in summer.
If you like something in-between, check the Double-X thread (ISO 200)
martin-f5
Well-known
if it works, I like to be a kid
Martin, did you develop fomapan in rodinal?
And could you post a picture from it, please.
e.q., but not represenstativ


martin-f5
Well-known
the fomapan is quite cheap and not so very finegrainy,
it has no shield on the back side to provide against light flairs,
sometimes this ist great, but not always :-(
I use it most times for testing
it has no shield on the back side to provide against light flairs,
sometimes this ist great, but not always :-(
I use it most times for testing
Roger Hicks
Veteran
Consider Foma 200. It's actually identical in speed to FP4, i.e. only ISO 200 in speed increasing developers. (Source: own tests + Foma's own spec sheets). Gorgeous tonality in many devs.
Cheers,
Roger
Cheers,
Roger
Teus
Thijs Deschildre
Is Fomapan 100/200/400 so close to the Kodak films?
It's WAY cheaper, so it could be interesting for my day-to-day shooting.
It's WAY cheaper, so it could be interesting for my day-to-day shooting.
mfogiel
Veteran
This is Acros in Rodinal 1+100

sem
Registered User
thanks for the beautiful pictures.
Thanks, Martin, I like the oldfashion look of the fomapan.
Last weekend I shoot an Adox 50. Did you try the adox 25.
Is it oldfashaner than the 50.
Just forget: mfogiel, thanks. I love your work on flickr.
Thanks
sem
Thanks, Martin, I like the oldfashion look of the fomapan.
Last weekend I shoot an Adox 50. Did you try the adox 25.
Is it oldfashaner than the 50.
Just forget: mfogiel, thanks. I love your work on flickr.
Thanks
sem
Last edited:
martin-f5
Well-known
thanks for the beautiful pictures.
Thanks, Martin, I like the oldfashion look of the fomapan.
Last weekend I shoot an Adox 50. Did you try the adox 25.
Is it oldfashaner than the 50.
Just forget: mfogiel, thanks. I love your work on flickr.
Thanks
sem
unfortunately not,
I'm at the end of my TriX time and switch to Fuji Neopan 400.
This summer I'll use some rools FP4 and APX 100.
Last winter I shot wonderfull snow landscapes on FP4 developed them in Foma R09, wich is the same as Rodinal, and was astonished at the sharpness.
But they are much more grainy than TriX developed in A49.
A never ending story....
Roger Hicks
Veteran
Is Fomapan 100/200/400 so close to the Kodak films?
It's WAY cheaper, so it could be interesting for my day-to-day shooting.
They are very different from one another. Personally I would not give 100 house room, but I love 200. I have however seen excellent pics taken by others with 100. Of 400 I have little knowledge.
Cheers,
R.
le vrai rdu
Well-known
I have tried kodak plus X 125, very similar to trix, in rodinal, I use both at 1+25, it is very nice 
nightfly
Well-known
I've shot FP4 as a substitute for Tri-X for just this reason (shooting glaciers in Patagonia) but found I don't really like it as much. I was shooting medium format in a Mamiya 6 and was pretty disappointed with the FP4. I find it tends to get a little too contrasty and lacks the wonderful mid greys of Tri-X without really offering much in grain reduction.
I used to shoot Verichrome but 1) it's no longer available 2) it was only available in 120 when I shot it and 3) it's got this sort of creamy look that lacks pop.
Why don't you just pull Tri-X? Lots of people shoot Tri-X from anywhere from 100-1000.
I used to shoot Verichrome but 1) it's no longer available 2) it was only available in 120 when I shot it and 3) it's got this sort of creamy look that lacks pop.
Why don't you just pull Tri-X? Lots of people shoot Tri-X from anywhere from 100-1000.
JeffGreene
(@)^(@)
There was thread a few months ago related to this topic. Shooting Tri-X at 800 versus 1250 in Diafine.
http://www.rangefinderforum.com/forums/showthread.php?t=55687&highlight=Diafine+Tri-X
http://www.rangefinderforum.com/forums/showthread.php?t=55687&highlight=Diafine+Tri-X
lns
Established
They are very different from one another. Personally I would not give 100 house room, but I love 200. I have however seen excellent pics taken by others with 100. Of 400 I have little knowledge.
Cheers,
R.
I recently have been using the Arista version of the Fomapan 100 in 120, developed in Rodinal, and I actually like it very much. But, it is the curliest film I have ever encountered. It simply will not flatten, even pressed between the pages of a book. I'm afraid to try the Fomapan 200, as a result. Does the 35mm version dry flat?
Share:
-
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.