Papercut
Well-known
I'm considering getting a reasonably priced portrait lens (75 - 90mm) for my Zeiss Ikon ZM. Two of the candidates on my short list are the 90mm Elmar (LTM) and the 90mm Elmar-C and I'm just wondering if there is any (real, noticeable) optical differences in these two lenses?
With the M-mount adapter for the thread mount lens the prices are within $50-75 of each other, so price isn't really an issue. I'm just interested in optical differences.
With the M-mount adapter for the thread mount lens the prices are within $50-75 of each other, so price isn't really an issue. I'm just interested in optical differences.
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35mmdelux
Veni, vidi, vici
the Elmar -C is known to be very good. don't know about the LTM.
ferider
Veteran
While the optical formula is probably identical (one never knows about what undocumented tweaks were done) you can expect differences in coating and mechanics. The Elmar-C has a slanted RF cam. And I am guessing just like for the 40/2, sometimes during the Elmar-C production multi-coating was introduced.
I were you, I would try to get a 90/4 Rokkor, different (better) RF cam, and definitely multi-coated.
Best,
Roland.
I were you, I would try to get a 90/4 Rokkor, different (better) RF cam, and definitely multi-coated.
Best,
Roland.
Papercut
Well-known
Roland,
Thank you for that reply -- it's very helpful!
-- Kevin
Thank you for that reply -- it's very helpful!
-- Kevin
Bingley
Veteran
In terms of the look of these lenses, I don't have anything from a more modern Elmar or Rokkor, but the pictures below were taken w/ a clean, uncoated Elmar 90/4 black barrel from the 1930s:



Papercut
Well-known
Steve,
Thanks for posting those! Really sharp lens and nice OOF (2nd shot). The colors are gorgeous too! Being uncoated, I'd guess it's rather flare-sensitive?
-- kevin
Thanks for posting those! Really sharp lens and nice OOF (2nd shot). The colors are gorgeous too! Being uncoated, I'd guess it's rather flare-sensitive?
-- kevin
Bingley
Veteran
Kevin -- I think it probably is, but I used an improvised hood consisting of a couple of step-up rings screwed together, so I didn't have a problem w/ flare. It's the way the lens renders colors that I find most attractive, but I had to return the lens to its owner and wound up getting the Canon 100/3.5 as my long lens.
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