35mmdelux
Veni, vidi, vici
CV 35/1.4, Zeiss 35/2.0, Canon 35/2.0 Blacky, Leica 35/2.0 ASPH, Leica 35/1.4 ASPH.
In given price range, these are the best 35s. You choose.
In given price range, these are the best 35s. You choose.
oldoc
oldoc
Raid:
Anything in your gallery with the 35 Summi, or the high res Canon 35?
Anything in your gallery with the 35 Summi, or the high res Canon 35?
35mmdelux
Veni, vidi, vici
If you look very close, the Nokton has a little more barrel distortion, more field curvature and a bit harsher bokeh.
BUT, things like the following are simply not possible with the Summicron (due to speed in the DOF sense; here on Neopan 1600@1600):
![]()
It's a really special lens, IMO. Unless you get a Summilux ASPH, the Nokton cann't be beat, IMO.
The bokeh here is not very good.
oldoc
oldoc
Roland:
Is that with
M6 or M7?
Michael
Is that with
M6 or M7?
Michael
ferider
Veteran
M6, Michael.
Agreed, Paul (Pat - on the right - didn't care though
). Still the point remains: I couldn't have done that with a cron.
Cheers,
Roland.
Agreed, Paul (Pat - on the right - didn't care though
Cheers,
Roland.
ferider
Veteran
One more thing, Michael: here is a more systematic comparison of Summilux pre-asph, Summilux ASPH, and Nokton, in case you are interested:
http://ferider.smugmug.com/gallery/6899672_cHtWF
IMO, the Nokton performs somewhere in between the two Leica lenses.
I had an RFF thread going on this once, but took it off when the Leica bashing started ...
Roland.
http://ferider.smugmug.com/gallery/6899672_cHtWF
IMO, the Nokton performs somewhere in between the two Leica lenses.
I had an RFF thread going on this once, but took it off when the Leica bashing started ...
Roland.
35mmdelux
Veni, vidi, vici
The Canon 35mm/2.0 "Black" is one of the best lenses; both sharp and outstanding bokeh, and at about $400 cant be beat, except by the 35 Summilux ASP at a cost of 5x.
oldoc
oldoc
Don't you think the bokeh issue stems from the 1600 ASA, leicameister?
oldoc
oldoc
Roland:
I am going to spend some time carefully with the page you sent. Thanks ever so much. I think I am standing pat for now. I really like the CV35/1.4, but didn't want to have my images suffer from not getting the extra....something avaialbe from the cron.
Is there a perceptible difference with landscapes in full light at f8 or higher?
Not gonna put out for the Summilux any time soon. I like the smaller pieces, which fit in with our lifestyle when out.
Got rid of my Mamiya 645 gear for that very reason
Michael
I am going to spend some time carefully with the page you sent. Thanks ever so much. I think I am standing pat for now. I really like the CV35/1.4, but didn't want to have my images suffer from not getting the extra....something avaialbe from the cron.
Is there a perceptible difference with landscapes in full light at f8 or higher?
Not gonna put out for the Summilux any time soon. I like the smaller pieces, which fit in with our lifestyle when out.
Got rid of my Mamiya 645 gear for that very reason
Michael
ferider
Veteran
Is there a perceptible difference with landscapes in full light at f8 or higher?
Not gonna put out for the Summilux any time soon.
The only difference at f8 is the barrel distortion, Michael. But, IMO, it's not too bad (check the bridge pictures in the test gallery).
I like the smaller pieces, which fit in with our lifestyle when out.
Me too. If I want big, I use my Hasselblad.
Cheers,
Roland.
retnull
Well-known
I recently obtained a Summicron 35 f2 version 1 (with goggles) at a price so low that you'd hate me if I mentioned what it was. I don't particuarly even like 35mm as a focal length, but this lens has a very distinctive signature: sharp and smooth at the same time. A lens this good forces me to use it...

Ben Z
Veteran
Hi Ben,
How about vignetting and Bokeh?
Thanks,
RLouzan
For the most part, and unless the light level is very low, I tend to shoot at f/4 or slower, so vignetting is nil on any of these lenses, and there's typically enough depth-of-field that OOF (and consequently, bokeh) is not very evident. The lenses I typically shoot wide open for subject isolation are the 50/1.4 and 90/2 (both pre-ASPH), both of which have practically no vignetting and very pleasing bokeh.
raid
Dad Photographer
The Canon 35mm/2.0 "Black" is one of the best lenses; both sharp and outstanding bokeh, and at about $400 cant be beat, except by the 35 Summilux ASP at a cost of 5x.
I have a "new" one. It is worth $800 [to me ?????]
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sanmich
Veteran
Roland
How does your Nokton compare to the Canon 35mm f/1.5 you had?
IIRC you sold the Canon, right?
Any regrets?
How does your Nokton compare to the Canon 35mm f/1.5 you had?
IIRC you sold the Canon, right?
Any regrets?
peter_n
Veteran
Cracking pic there retnull! 
thomasw_
Well-known
Get a 4th version 35mm 1:2 Summicron. You won't regret it![]()
I agree. Check out Robert's work on Flickr with this lens. Honus is his nick.
With a version IV:>

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oldoc
oldoc
I personally like the wide open sharpness of the Nokton better.
Alas, the Canon is probably at my ex-wife's house amongst all the other issues...
If one of you guys wants to marry her, they can keep the Canon with the deal....and save me four large a month in the process...I could have a Noctilux by ...Memorial Day!!!
Alas, the Canon is probably at my ex-wife's house amongst all the other issues...
If one of you guys wants to marry her, they can keep the Canon with the deal....and save me four large a month in the process...I could have a Noctilux by ...Memorial Day!!!
raid
Dad Photographer
Raid:
Anything in your gallery with the 35 Summi, or the high res Canon 35?
I don't think so, Michael.
I have to search in my computer to find some images from these two lenses.
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