bmattock
Veteran
Velvia 50 is best for landscapes, Velvia 100 does better with skin tones.
If by 'better' you mean 'not quite as sucky, but still freaking awful,' then I agree.
For skin tones, color print or if you must shoot slide film, Sensia 100.
Velvia 50 is best for landscapes, Velvia 100 does better with skin tones.
I was just pointing out that using the single word 'Velvia' isn't sufficient...
Here is a good rundown: http://www.kenrockwell.com/tech/velvia100f.htm
And: http://www.kenrockwell.com/fuji/velvia-50.htm
	For skin tone Kodachrome is really sweet, seriously.
I'll be shooting lots of things with hopefully lots of people.
If I may ask without making it a religious question - why slide film? It can be spectacular for certain things, but it's got so little latitude...
My thought for a trip would be that I might be surprised by all kinds of conditions and I'd want to be prepared - so a more forgiving film, like good color print film - might be better.
However, good luck to you however you go, have fun.
I've never tried it and I'm hoping that I will be more happy with the results compared to print film. Also, I recently got a Coolscan 9000 and I feel like I will save time being able to look at the slides on a light table and then choose which ones to scan.
That was my thought as well; if it was me, I'd pack some Portra NC, and maybe a few rolls of slide film (Kodachrome in my case) for variety. A big trip isn't the time to mess around with film types you don't know well, or at all, save for the odd roll or two.If I may ask without making it a religious question - why slide film? It can be spectacular for certain things, but it's got so little latitude...
My thought for a trip would be that I might be surprised by all kinds of conditions and I'd want to be prepared - so a more forgiving film, like good color print film - might be better.
That was my thought as well; if it was me, I'd pack some Portra NC, and maybe a few rolls of slide film (Kodachrome in my case) for variety. A big trip isn't the time to mess around with film types you don't know well, or at all, save for the odd roll or two.
Since you mentioned photographing people a good deal, anything in Velvia is pretty much a no-no, and I'm sort of on the fence about Provia. Astia's a no-brainer here. So is E100G or E200.
These films will also be a bit less of a bear to scan. You won't have to work so hard for proper color balance, particularly with skin tones.
Simply my opinion, of course.
- Barrett
I speak from the bitter experience of overplanning a trip that I'll probably never be able to repeat, taking too much gear, film I was unfamiliar with. I learned good lessons on that one. Now I pack light, take what I know and am comfortable with. But that's just me.
I almost hesitate to ask the location...I speak from the bitter experience of overplanning a trip that I'll probably never be able to repeat, taking too much gear, film I was unfamiliar with. I learned good lessons on that one. Now I pack light, take what I know and am comfortable with. But that's just me.