Benjamin Marks
Veteran
Is there anyone on RFF using Photoshop to stitch panoramas? Any feelings about this versus a Horizon 202 or MF back (6x12, 6x17) for LF? Seems to me like stitching might work well for static scenes. Not so much for dynamic ones. Thoughts?
On another note: Is the Horizon 202 aspect ratio 1:2 or wider? Not interested in the Widelux currently for cost reasons. I am tempted by a 6x17 back made by Shen Hao -- fits on a 4x5 camera . . .
Ben Marks
On another note: Is the Horizon 202 aspect ratio 1:2 or wider? Not interested in the Widelux currently for cost reasons. I am tempted by a 6x17 back made by Shen Hao -- fits on a 4x5 camera . . .
Ben Marks
ferider
Veteran
Yes. I'm using AutoPanoPro. Works well, supports 16its/Color and multi-CPUs, can assemble both vertically and horizontally. It's flexible enough that for most scenes I can hand-hold. Try the eval copy.
Cheers,
Roland.
Cheers,
Roland.
Benjamin Marks
Veteran
Yes. I'm using AutoPanoPro. Works well, supports 16its/Color and multi-CPUs, can assemble both vertically and horizontally. It's flexible enough that for most scenes I can hand-hold. Try the eval copy.
Cheers,
Roland.
Roland: thanks for the response. What focal length do you use on the pics you are stitching? Seems like a 35mm lens might be about right.
Ben Marks
ferider
Veteran
Roland: thanks for the response. What focal length do you use on the pics you are stitching? Seems like a 35mm lens might be about right.
Ben Marks
That's what I used last time (a Summicron). For example here:

or here with the lens in portrait mode:

Cheers,
Roland.
Benjamin Marks
Veteran
35mm? 50mm?
Ben
Ben
squirrel$$$bandit
Veteran
Yes, I am stitching in CS3...works great...
Benjamin Marks
Veteran
Here's my deal: I have a family wedding coming up in June. I used to bring along an XPan w/45 f:4 to this sort of thing -- good for big groups/groups where there is a lot going on. I typically would bring a tripod. I am hearing the siren call of a 6x17 back for a 4x5 LF camera. Probably $600 or so, once you figure in a recessed lensboard for a 90 SA and one of those angle-y attachments for the cable release. Or, I could go with an already-owned 5x7 camera and 90 SA and just cut down the film (or "crop" on a scanner). OR I could purchase a Horizon 202 (seems like a lot of work to purchase and test prior to mid-June). OR I could just admit that another piece of gear is the last thing I need at the moment and try some stitching of digi-files. It is harder to imagine this working with a large, dynamic group of people. So: stitchers: any practical advice?
Ben
Ben
ferider
Veteran
I'm sorry if the above wasn't clear, Ben: I used a 35mm Summicron for those shots.
If you can avoid strong parallax (avoid close up objects appearing across multiple frames, or use a tripod around the lens' nodal point) I can only recommend the stiching software.
Roland.
If you can avoid strong parallax (avoid close up objects appearing across multiple frames, or use a tripod around the lens' nodal point) I can only recommend the stiching software.
Roland.
Benjamin Marks
Veteran
Thanks Roland! - Ben Marks
didjiman
Richard Man
Ben, I'd recommend staying with the XPan. Or if you want real big negatives, just get an Garoersi or something?
Benjamin
Registered Snoozer
Or perhaps, one of these? I think the muppet maybe an optional accessory, though you should probably check first..
http://www.letsgodigital.org/images/artikelen/687/seitz_panoramic_camera.jpg
http://www.letsgodigital.org/images/artikelen/687/seitz_panoramic_camera.jpg
adietrich
Established
Or perhaps, one of these? I think the muppet maybe an optional accessory, though you should probably check first..
http://www.letsgodigital.org/images/artikelen/687/seitz_panoramic_camera.jpg
OK. Judging from the image above, size DOES matter.
In my opinion there is a trade off between the money you invest into gear or the time you invest into stitching. I am using 'hugin', a frontend for 'nona', 'enblend' and 'enfuse' for my stitching. In addition to blending, one can do perspective corrections, lens corrections and exposure blending.
-a
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