.ken
I like pictures
where is sigma when you need them... they need to start building m4/3 lenses.
If the thing really is good with high iso who cares about the difference between 2.8 and 1.7? It's not even a full stop.
40mm is a non-starter for me. I really don't like that field of view. It's too in-between.
If the thing really is good with high iso who cares about the difference between 2.8 and 1.7? It's not even a full stop.
Honestly I've shot in low light with a Yashica t4 that tops out at 2.8 and had few issues. I realize some people feel they "need" lens speed but unless it's like 1.4 I think it doesn't really make a lot of difference.
f2 to f2.8 is a full stop. f2.8 to f1.7 is about 1 1/3rd stops.
Assuming dof is adequate, I'd rather shoot at 1600 than 3200, 800 than 1600 etc...
I agree. I can't count the times with my R-D1 where I'm at the 1600 wall at f1.2 and I'm still @ 1/8 or something long like that. Me using the 35 1.2 over something slower is the difference between getting or not getting the shot. I don't think you can ever have too much speed really until sensors get to the point where noise isn't an issue.
Panasonic lenses have IS built in, Oly bodies have IS built in, are the two compatible?
You know what would be cool is a gothic M on the front or the top plate, much like the original pens gothic F, which is think is a really beautiful and distinctive design.
You know what would be cool is a gothic M on the front or the top plate, much like the original pens gothic F, which is think is a really beautiful and distinctive design.