I'm going through the same ordeal. I looked at all the info I could find for the 35ti & Minolta TC-1 and if I had the opportunity I'd get the TC-1. I owned a Hexar AF and regret selling it. If I had the cash or the proper gear to offer for a trade I'd like to go for the TC-1, but I don't. So I've decided to try and get a Hexar AF and have gear to trade in the RFF classifieds. I know I'll be happy with the Hexar as I've missed the speed and quality of the pictures it takes.....
I got to shoot with a client's TC-1 some years ago. I liked the perfect-circle Waterhouse stops (hence the crazy-lovely bokeh), but the flip side of this feature was (1) you only had a handful of f/stops, and (2) you only had aperture-priority AE. Given the stiff price of the thing (both then, when it was new, and now, on the used market), I couldn't deal with it. Great picture-taker, though.
I (somewhat reluctantly) ditched my Hexar AF to buy the first of my two Hexar RF bodies. I also had the Ricoh GR-1 at the same time, which was getting used a lot more than the Hex AF (sometimes, size
does matter, guys), which cushioned the blow a bit...at least until I dropped the Ricoh and did enough damage to disable it. Had a few El Cheapo p/s cameras before getting the Contax Tvs earlier this year, and taking that camera as far South as Florida (Al, Raid and Michael: sorry I missed you guys!), and as far North as Upstate New York. And the film keeps a-rolling.
I suppose the moral here (heh, assuming there
is one), is that if you manage to get hold of
any of the really good cameras mentioned in this thread), you've got the goods to do Really Good Stuff, with minimal qualifications. But, for me at least, it really helps if the thing fits in a pocket, or, failing that, a small belt pouch.
🙂
- Barrett