dee
Well-known
Many of us have ex-USSR cameras , why ?
Is it simply because they are cost , if not aggro , effective ?
Or because they come from a mysterious idealogy closed to much of the world for decades ?
Those from the former USSR - do you hang on to memories when Japaneses cameras are now inexpensively available ? Or are they a fun flee market cheap project /
Is masochism - from a Leica II / IIIc owner LOL ?
As a 1950s kid with a father steeped in the Cold War in the UK Ministry of Defence , USSR was a scary , unknown quality to me , so there certainly is this mystery issue .
However , I like the specials created from , presumably scrap Fed / Zorki ' Leicas ' and that many derivatives are unique to the Soviet Union . I am also intrigued by the techs ingenuity faced with limited facilities and poor quality materials to create new versions such as my lovely Zenit 1 and Zenit S , I also champion the Zorki S especially in faux Leica guise .
But this is immaterial in respect of Contax / Kiev .
The boundaries are blurred when a camera made in Ukraine is the equal of one made a few years earlier in Germany .
I now have a Kontax which bridges the gap , a genuine bitsa Contax with a Kiev heart - re-uniting two cultures . Using this , or a CLA 1951 KNeB II is equally satisfying .
I will also have a restored Contax III and KNeB III - which will be mildly customised with tan leather .
Is it simply because they are cost , if not aggro , effective ?
Or because they come from a mysterious idealogy closed to much of the world for decades ?
Those from the former USSR - do you hang on to memories when Japaneses cameras are now inexpensively available ? Or are they a fun flee market cheap project /
Is masochism - from a Leica II / IIIc owner LOL ?
As a 1950s kid with a father steeped in the Cold War in the UK Ministry of Defence , USSR was a scary , unknown quality to me , so there certainly is this mystery issue .
However , I like the specials created from , presumably scrap Fed / Zorki ' Leicas ' and that many derivatives are unique to the Soviet Union . I am also intrigued by the techs ingenuity faced with limited facilities and poor quality materials to create new versions such as my lovely Zenit 1 and Zenit S , I also champion the Zorki S especially in faux Leica guise .
But this is immaterial in respect of Contax / Kiev .
The boundaries are blurred when a camera made in Ukraine is the equal of one made a few years earlier in Germany .
I now have a Kontax which bridges the gap , a genuine bitsa Contax with a Kiev heart - re-uniting two cultures . Using this , or a CLA 1951 KNeB II is equally satisfying .
I will also have a restored Contax III and KNeB III - which will be mildly customised with tan leather .