Getting back to the original question. Kodak's last film, I predict, will be large format. Let's say KODAK Pro EKTAR 100. P&S, DX, and FF already have eaten away at the 35mm market. As someone who recently bought his first DSLR and was an avid 35mm film user, have to be honest, I currently find it hard to justify 35mm film use especially for color. 35mm to me is for fun, developing, getting your hands dirty, doing a "craft" etc. But results are very close. A 35mm film camera might edge out a DX DSLR in outdoor shots with good light and slower film speed, black and white might look a little better in some circumstances but it's negated by the freedom of digital to "shoot away", the control you have over your image in post, the ability to set white balance, the high iso performance, the ability to alter iso on a shot-by-shot basis of the current crop of cameras, their ability to capture motion in a pinch, ability to "chimp"... etc. All the vices of any serious digital camera has been negated as of 2009 to me - shutter lag, start up time, high iso performance, battery life, lack of prime lenses, dynamic range (to a reasonable degree), noise control, and prohibitive costs (adjusted for inflation, the D5000 I purchased cost about as much as a Yashica Electro CC did in 1976, which was $169 US. Prosumer level costs, but certainly not out of reach.) Every generation of digital will get better and better until 35mm film is completely obsolete from a purely practical perspective... in fact, it already is. However, it is fun playing with old cameras, collecting them, fooling around with them, trading them and they do give excellent results - but that's not a "practical" reason to shoot film albeit a valid reason. Film emulation software is quite good, actually (imo) in capturing the film "look", which when it comes right down to it is are just "preset curves", saturation, and contrast setting set by the manufacturer if you will, that can be emulated with a degree of "close enough for government work" accuracy. There will always be a hobbyist market for doing your own black and white but that will go to another player - Ilford is my bet, or the Chinese manufacturers. It'll be around. Digital, however, can't compete with 120 or large format. It just doesn't, in the same way that 35mm film doesn't compete with 120 or large format. Digital wins the "small format" wars. Film wins the larger format wars. No serious landscape photographer in Arizona is going to shoot their landscapes with a FF DSLR. There will never be a "large format" sensor of this size due to the cost and practicality of producing sensors of this size. That constraint will exist until the next technology comes along that replaces CCDs as an image capture technology.