Juan Valdenebro
Truth is beauty
Today I was shooting and suddenly I saw a white haired man with a wood tripod and a wood large format camera in the street... The lens (from distance) looked really old... As I started to approach him thinking of a shot including him and his camera in the middle of lots of tourists snapping digitals near the sea border in Las Ramblas, I just forgot about even shooting...
The camera was huge... I told him: Excuse me, I'm curious... Could you please tell me which film are you using?
“It's not film...” I was really surprised, and for an instant I thought he had adapted a digital back for some strange reason... (The back was hidden as usual with LF...) But then he told me: “It's photography in the old way...” and I told him “So, like Atget you refuse to use film...” and he answered “For Atget it was a lot easier, this is just emulsion: wet plates...”
I told him: “Wow, then you must act real fast!” We talked for a while: he seemed to know some of my old teachers, and he showed me the camera back: his 8x10 plates occupied just a small central part of his enormous back! I think a yogi could live inside that camera!
The ISO was below 1... He had just made an exposure of ten seconds on direct sun... The lens (beautiful, golden and so primitive, portraiture tele) was from 1860... Then his walkie-talkie hanging next to his Sekonic made a sound and he explained: “See there in the park below those trees...?” “We're a team of 6 people: I'm the only one in Spain doing Heliography now... That tent is our lab, and they just developed the plate: takes just a few seconds to develop it and fix it, and we can see the results and go on shooting... I'll go see it... This is hard: moving all this stuff is tough, and even UV rays and temperature affect the emulsion a lot: mettering is far from being enough to be sure of the results, so getting one good plate in one day is a real treasure!
We gave each other our emails, and I told him: “I hate these days when small variable haze clouds are all around in the sky and then light changes every minute... And from your face I see you hate it too!” and he smiled: “I'm old and I have hated it all my life...” I wished him good luck with the plate and we said goodbye.
He's a professional architecture photographer and works with top quality LF film and MF digital cameras, and he told me “I hate digital, and I find most present days photography totally empty, and full of vanity too... When I see how hard it was getting images in the 19th century, and the real taste those great photographers had, I feel sad about these days photography... My soul is there, forever...”
Nice guy...
Cheers,
Juan
The camera was huge... I told him: Excuse me, I'm curious... Could you please tell me which film are you using?
“It's not film...” I was really surprised, and for an instant I thought he had adapted a digital back for some strange reason... (The back was hidden as usual with LF...) But then he told me: “It's photography in the old way...” and I told him “So, like Atget you refuse to use film...” and he answered “For Atget it was a lot easier, this is just emulsion: wet plates...”
I told him: “Wow, then you must act real fast!” We talked for a while: he seemed to know some of my old teachers, and he showed me the camera back: his 8x10 plates occupied just a small central part of his enormous back! I think a yogi could live inside that camera!
The ISO was below 1... He had just made an exposure of ten seconds on direct sun... The lens (beautiful, golden and so primitive, portraiture tele) was from 1860... Then his walkie-talkie hanging next to his Sekonic made a sound and he explained: “See there in the park below those trees...?” “We're a team of 6 people: I'm the only one in Spain doing Heliography now... That tent is our lab, and they just developed the plate: takes just a few seconds to develop it and fix it, and we can see the results and go on shooting... I'll go see it... This is hard: moving all this stuff is tough, and even UV rays and temperature affect the emulsion a lot: mettering is far from being enough to be sure of the results, so getting one good plate in one day is a real treasure!
We gave each other our emails, and I told him: “I hate these days when small variable haze clouds are all around in the sky and then light changes every minute... And from your face I see you hate it too!” and he smiled: “I'm old and I have hated it all my life...” I wished him good luck with the plate and we said goodbye.
He's a professional architecture photographer and works with top quality LF film and MF digital cameras, and he told me “I hate digital, and I find most present days photography totally empty, and full of vanity too... When I see how hard it was getting images in the 19th century, and the real taste those great photographers had, I feel sad about these days photography... My soul is there, forever...”
Nice guy...
Cheers,
Juan
Pablito
coco frío
and his name is?
Juan Valdenebro
Truth is beauty
El seu nom en català es Martí. I don't remember his last name...
Cheers,
Juan
Cheers,
Juan
Good for him. I'll stick to 35mm and digital. 
Juan Valdenebro
Truth is beauty
Good for him. I'll stick to 35mm and digital.![]()
Cool! The guy masters those formats too! And gets his money with film and digital... You're right: good for him...
Cheers,
Juan
Chris101
summicronia
Sounds like a fun way to spend one's gray haired days. I'll be there soon enough. Who cares if film really will be dead by then. Cows hooves, table salt and lunar caustic won't.
robklurfield
eclipse
great story.
SolaresLarrave
My M5s need red dots!
He was at the end of Las Ramblas? That's some place to shoot...
I'm sure most people just ignored him and he must have been delighted to get your attention.
BTW, it was in BCN where I saw the biggest camera in my life, but it was a Mamiya 67, being hoisted by a crew in front of La Boquería. I thought you had seen that one...
Thanks for posting!
BTW, it was in BCN where I saw the biggest camera in my life, but it was a Mamiya 67, being hoisted by a crew in front of La Boquería. I thought you had seen that one...
Thanks for posting!
healyzh
Well-known
How cool to get to see that in person, and talk to him! One of my long term goals is to be able to do either paper negatives, wet plate, or both. I need either a back that can handle them, or a camera better suited to doing them. I have two different 4x5 cameras, and would rather do around 8x10 for something like this.
Juan Valdenebro
Truth is beauty
By the way, the back of the camera was square...
Zane, Rob, Chris... Cool! Maybe one day...!
Francisco: Indeed no one cared about him... I guess most people consider those cameras "old and bad"...
He also told me he makes big efforts in trying to avoid people coming near or talk to him, and that's why he doesn't want the rest of the team to be near, so people passing don't feel "an interesting thing happening"... Three different assistants came to him for a few seconds every time to tell him things because they were having troubles with their new talkies... We joked: "... and the camera just like new!"
Cheers,
Juan
Zane, Rob, Chris... Cool! Maybe one day...!
Francisco: Indeed no one cared about him... I guess most people consider those cameras "old and bad"...
Cheers,
Juan
Finder
Veteran
By the way, the back of the camera was square...
To switch between horizontal and vertical formats, the back is removed and rotated 90 degrees. You could not do this with a rectangular design.
Luna
Well-known
Old people are cool.
t.s.k.
Hooked on philm
Fixed it for yaOlder people are cool.
Frank Petronio
Well-known
Wet plate has a subculture much like the one where grown men fondle tiny German cameras... start here:
http://www.johncoffer.com/
http://www.johncoffer.com/
Nikkor AIS
Nikkor AIS
Thanks Frank, great link.
Gregory
Gregory
user237428934
User deletion pending
Old people are cool.
I would prefer to meet this girls with her large camera. Found on flickr:
http://www.flickr.com/photos/suzypuzz/4828175062/
Cron
Well-known
thanks for this nice story, never saw one of these cameras in action!
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