Some. Not often, but just sometimes I think it works, just an instinct about what I want. Generally speaking though if I find myself turning the camera to shoot vertical to fit something in then I stop as I know it's not going to work, it's more about the whole frame working in vertical format for me.
Interesting thread. And interesting that you shoot from the hip with your small digicam. I started doing that with a SD780 before I gave it to my wife, and find myself doing it a lot with the S90. The results of shooting that way always surprise me. The low perspective, coupled with the vertical orientation and shoot-from-the-hip framing, have resulted in some interesting looking shots.
Interesting thread. And interesting that you shoot from the hip with your small digicam. I started doing that with a SD780 before I gave it to my wife, and find myself doing it a lot with the S90. The results of shooting that way always surprise me. The low perspective, coupled with the vertical orientation and shoot-from-the-hip framing, have resulted in some interesting looking shots.
Absolutely! It's been a bit of a revelation. I hold the little F20 in my palm, camera on, lens extended, but essentially using it as a 35/2.8 fixed lens camera, and shoot on continuous mode, auto everything (shreik! sacrilige!) with the camera vertically oriented. Getting some really neat shots and getting better at framing. - there's definitely a skill to this.
It depends. For book projects or general documentary or journalistic work, about 50% but for for multimedia, which is going to be viewed on a horizontal computer screen, then 100% horizontal. It works better.
My % goes down if my wife sees me. In her book there are no vertical shot, just miss cropped horizontals. My father claimed he never saw square though some times I do.
I'm much higher than the curve on this one. Good question dude.
I shoot quite a few more verticals with my 4/3 camera vs. 35mm. I'm pretty sure that this is because I seldom like the 3:2 aspect ratio in vertical format, and I also don't much like cropping when it can be avoided.
I just went through 410 prints. 49% were portrait format (vertical), 50% landscape format (horizontal) and one percent was indeterminate. I find it more difficult to compose for the vertical - so I am surprised they are about equal in number. It would be instructional to also go through the negatives and see if my shooting style matches those pictures I have printed.
I just went through 410 prints. 49% were portrait format (vertical), 50% landscape format (horizontal) and one percent was indeterminate. I find it more difficult to compose for the vertical - so I am surprised they are about equal in number. It would be instructional to also go through the negatives and see if my shooting style matches those pictures I have printed.
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.