Nick De Marco
Well-known
I am always happy when I see young photographers give up digital and turn to film
I remember attending Photokina 2008, wanting my first touch of the Canon 5DII, peering enviously at Leica's new S2, but being most excited by the Lomography stall which was staffed by and aimed at young people, blazing slogans like "Analogue is the future!" "Digital is dead" etc.
Since then I have noticed more and more young people, those keen on photography and not just consumers, turning to film. Today I was in a photography cafe in London and got talking to a young guy I have seen in there before with his DSLR. Now he shoots only film. Like me, he had an M8, and sold it. So he could buy an M6. He bought a GF1, and sold it, so he could buy some film. He is a totally dedicated photographer and only works in colour but only film satisfies him.
I feel the same way more and more. I'm old enough to have started out in film, but it was digital that got me back in to photography when I was able to afford it. Having had and used quite a few digital cameras I now find I increasingly only reach for them for specialist work (e.g. studio), or almost as an 'exposure meter' to check what I'm doing with a meterless Hasselblad for instance.
It is very pleasing to see young people who never grow up with film and certainly can't be termed as dinosaurs turning to the medium.
Big thanks should go to Voigtlander by the way, and our own stephen Gandy, for popularising good quality, modern film cameras and lenses which are more affordable to students
I remember attending Photokina 2008, wanting my first touch of the Canon 5DII, peering enviously at Leica's new S2, but being most excited by the Lomography stall which was staffed by and aimed at young people, blazing slogans like "Analogue is the future!" "Digital is dead" etc.
Since then I have noticed more and more young people, those keen on photography and not just consumers, turning to film. Today I was in a photography cafe in London and got talking to a young guy I have seen in there before with his DSLR. Now he shoots only film. Like me, he had an M8, and sold it. So he could buy an M6. He bought a GF1, and sold it, so he could buy some film. He is a totally dedicated photographer and only works in colour but only film satisfies him.
I feel the same way more and more. I'm old enough to have started out in film, but it was digital that got me back in to photography when I was able to afford it. Having had and used quite a few digital cameras I now find I increasingly only reach for them for specialist work (e.g. studio), or almost as an 'exposure meter' to check what I'm doing with a meterless Hasselblad for instance.
It is very pleasing to see young people who never grow up with film and certainly can't be termed as dinosaurs turning to the medium.
Big thanks should go to Voigtlander by the way, and our own stephen Gandy, for popularising good quality, modern film cameras and lenses which are more affordable to students