Some thoughts on American cameras

R

Roger Hicks

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...including rangefinders. From the end of the current Short Schrift on the front page of my web-site, http://www.rogerandfrances.com/ Alpa was bought by a Swiss couple (Thomas and Ursula) who wanted to revive a noble Swiss camera brand. They succeeded. Why is there no-one in the USA to do the same with Graflex?

Cheers,

R.
 
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For the same reason nobody in Germany will re-use the Mentor brand. Graflex was barely visible to Joe Average, and hence not a brand with a public reputation comparable to Alpa. Besides, Alpa was not revived as a 35mm SLR, but they bought the name rights for their medium format studio camera series. Nobody in the US seems to have a product for which he'd want to purchase the name rights to Graflex.
 
sevo said:
For the same reason nobody in Germany will re-use the Mentor brand. Graflex was barely visible to Joe Average, and hence not a brand with a public reputation comparable to Alpa. Besides, Alpa was not revived as a 35mm SLR, but they bought the name rights for their medium format studio camera series. Nobody in the US seems to have a product for which he'd want to purchase the name rights to Graflex.
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Ooooh.... Speed Graphic? One of the greatest names of all time? A LOT better known than Alpa.

Besides, Thomas and Ursula bought the name with the intention of making a new camera: the Alpa 12 wasn't waiting in the wings, but arrived long after they'd bought the name.

Incredibly, they had considered Egli-Vincent instead of Alpa: Thomas actually rode on the back of an Egli-Vincent piloted by Fritz Egli. They wanted to revive a great Swiss name, purely to showcase Swiss engineering. Neither is a photographer, a motorcyclist or an engineer: just Swiss. And both are incredibly nice people, who have been taken somewhat by surprise by the success of their cameras.

Cheers,

R.
 
Roger Hicks said:
Ooooh.... Speed Graphic? One of the greatest names of all time? A LOT better known than Alpa.
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Among amateurs or consumers? Maybe as a pre war press camera, but nobody will know they actually made cameras past the forties. Even Linhof or Sinar (which are still in business, and rank higher than Graflex in the reputation score) are almost entirely unknown if we look beyond older professionals and the odd few large format enthusiasts...
 
Egli Vincent is all very well, but they would have been buying engines from Australia...
 
A hand held 4x5 probably wouldn't compete well, but a TLR or 35mm might. I know they sold them, I don't know for sure if they made them or just branded them from someone else.
 
Singer, the sewing machine company, bought Graflex and one of those "divestment" bankers broke it up and sold the bits to once was a great American company. Greed won. Of course Graflex was at the end of the line anyway, the Graflex XL, no offense to anyone, was a hideous camera (in my opinion) and they had adopted entirely too much plastic into their designs.

Personally I think American camera design was the best in the world, from a practical engineering and manufacturing standpoint. An ACME shutter is inexpensively made from bent metal parts, like a cheap alarm clock, but it works reliably for years without service. A German Compur is beautifully made from milled parts but requires regular maintenance. After the war, McArthur and the American planners basically "gave" the Japanese our camera industry as a way to get the Japanese economy going....
 
Frank Version Two said:
Singer, the sewing machine company, bought Graflex and one of those "divestment" bankers broke it up and sold the bits to once was a great American company. Greed won. Of course Graflex was at the end of the line anyway, the Graflex XL, no offense to anyone, was a hideous camera (in my opinion) and they had adopted entirely too much plastic into their designs.

Personally I think American camera design was the best in the world, from a practical engineering and manufacturing standpoint. An ACME shutter is inexpensively made from bent metal parts, like a cheap alarm clock, but it works reliably for years without service. A German Compur is beautifully made from milled parts but requires regular maintenance. After the war, McArthur and the American planners basically "gave" the Japanese our camera industry as a way to get the Japanese economy going....
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There is certainly an American design ethos that has to be admired, a rugged simplicity that we lost back in the 19 century ... that sounds critical but it isn't
 
Sparrow said:
Frank Version Two said:
An ACME shutter is inexpensively made from bent metal parts, like a cheap alarm clock, but it works reliably for years without service.
Click to expand...
There is certainly an American design ethos that has to be admired, a rugged simplicity that we lost back in the 19 century ... that sounds critical but it isn't
Click to expand...

Kind of like a good Zorki? :angel:
 
Sparrow said:
There is certainly an American design ethos that has to be admired, a rugged simplicity that we lost back in the 19 century ... that sounds critical but it isn't
Click to expand...

When I think of American design why does the image of an Edsel appear in my thought bubble?

But along with things like Danelectro guitars modern peer review has put some designs from the fifties and sixties into the 'so bad its good' category. The Edsel can now hold its badge high at shows for over-restored cars. And that is what would happen with a modern resurrection of Graflex. A once proud name that made appaling cameras at the end of its life reintegrated into society as a must have niche brand. All sins would be forgotten and the glory days would be revived. I honestly believe that with a little viral marketing (and thats all it would take) Graflex could have a solid future based on the complimentary approach people have to camera 'collecting' . So if you have a Leica, a Rollieflex, a '56 Strat, and a (tasteful) Rolex the next hit would be Graflex. All it needs is somebody to do it.....Roger.

Steve
 
Some small companies like Razzle and Polaroidconversions seem to making a viable niche out of hand held 4x5, 120/220 and Polaroid bodies and interchangeable backs based on Polaroid 250-generation folders. If they can do it, why not Graflex? Graflex has at least the retro cool factor of the old Polaroids. Look at the success of Lomo marketing. I would have imagined that Graflex has at least the same potential as that.
 
Does someone already own the rights to the Graflex name in photo circles? I have at home a 28-200 zoom lens with the Graflex name on it in Minolta MC mount (but it looks like a 1980s style design). I doubt its from the original company and a google search didn't bring up much info on the lens at all.

Ronnie
 
Nice piece, Roger, I'm enjoying your "short schrifts."

By the way, like it or not, a regular online column of brief text pieces is, by definition, what a blog is. Face it, sir: you're a blogger. ;)
 
Singer Graflex ended the Graphic series in around 1970, and sold the tooling to Toyo/Horseman, who continued making derived cameras under their own brands (so the brand obviously did not change hands then, not even for large format products). In any case, Singer Graflex did not entirely get out of photography - they still distributed the Graflex Norita 66 until 1976, and must have continued producing projectors past that, as some were still listed in a German mid-eighties catalogue of AV products.
 
American movies from the fifties and sixties were always highlighted for me if there was a scene with press photographers ... and their Graflex cameras.

I never really bought the apple pie that those movies always seemed to be selling me ... but I did get a Crown Gaphic eventually. :p
 
Classic American camera- Polaroid.

Maybe the last American Made SLR made in large quantities, the Polaroid SLR680. The SLR690 is a good recreation, was produced by Polaroid Japan. I have one of each.

On the Graphics- they just keep working. I gave away 2 of them, traded a third.
 
Not to hijack the thread, but as one who literally cut his teeth on a 4X5 back in the 40s, I would contend that the best-of-the-breed was the aluminum body Busch Pressman.

This was one solid camera, and as weather resistant as you could make.

It did however, lack the focal plane shutter that made the Graflex/Graphic family such a favorite among sports photogs.
 
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