Leica LTM Leica iiic and iiif

Leica M39 screw mount bodies/lenses
umm, lots, but start with the IIIf has a flash sync.

There are many mechanical improvements in the IIIf, starting with a cast metal body.
 
IIIc and IIIf both have the cast body construction, but the IIIf has a faster/lighter shutter, and improved shutter break.
 
With $700 you can easily get an M2, if your heart is not set on a screwmount camera. The viewfinders are greatly improved in the M series.

But between the IIIc and IIIf, the IIIc is more than "good enough". (Besides an M2,) I have a IIf and an even earlier IIIa, which is also more than good enough.
 
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IIIc and IIIf both have the cast body construction, but the IIIf has a faster/lighter shutter, and improved shutter break.

I thought the shutter improvements only came in with the red dial IIIf, and that there isn't much difference between a black dial IIIf and a IIIc other than the flash sync.

The IIIc is a nice user if you really want a Barnack.
 
I thought the shutter improvements only came in with the red dial IIIf, and that there isn't much difference between a black dial IIIf and a IIIc other than the flash sync.

I beleive you may be correct. I wasn't certain.
 
I thought the shutter improvements only came in with the red dial IIIf, and that there isn't much difference between a black dial IIIf and a IIIc other than the flash sync.

The IIIc is a nice user if you really want a Barnack.

I have two IIIc bodies that have been upgraded to IIIf's. Both were upgraded to black dial, with black numbers on the added sync plate and the 1/40 and 1/60 speeds that are found on IIIf black dial instead of the 1/25, 1/50 speeds of red dial cameras.
 
Doesn't only the IIIf have that little extension on the bottom plate that helps 35mm film in standard cartridges (as opposed to Leica cartridges) stay aligned properly?
 
The IIf has that too. The only IIIc I've handled (near mint on first inspection, but it actually had a dented shell so a film cassette couldn't be inserted,so had to go back!) didn't have the thing to prod the film.
 
I have two IIIc bodies that have been upgraded to IIIf's. Both were upgraded to black dial, with black numbers on the added sync plate and the 1/40 and 1/60 speeds that are found on IIIf black dial instead of the 1/25, 1/50 speeds of red dial cameras.


Now I'm confused. From its serial number, my IIIc dates from 1949. It has both 1/40 and 1/60 speeds. I don't have a copy of Rogliatti to check this, but are you suggesting that IIIc models did not have those shutter speeds?
 
Now I'm confused. From its serial number, my IIIc dates from 1949. It has both 1/40 and 1/60 speeds. I don't have a copy of Rogliatti to check this, but are you suggesting that IIIc models did not have those shutter speeds?

The IIIc had 1/40 and 1/60 speeds and so did the IIIf black dial.
 
The IIIc had 1/40 and 1/60 speeds and so did the IIIf black dial.

Thanks for clarifying. It seems to me that, from a functionality standpoint, there isn't much to choose between a IIIc and a bd IIIf, and that the OP can base a choice on price and sample condition.
 
Interestingly, it was also quite common for older LTM cameras to have flash sync fitted by the Leica factory to bring that camera "up to date." I have a lovely 111a with factory fitted flash sync, including the 111f style larger shutter speed dial and the integrated collar surrounding it that is used to set the time delay on the firing of the flash. (Different chemical flashes have different burning speeds / times). The 1936 Elmar 50mm f3.5 was also factory coated, presumably at the same time. This has made it into a very nice little camera that is a little different from the norm. It is these characteristics that also differentiate between the 111c and the 111f. (Both these had the die-cast body, unlike my 111a.)
 
the IIIf black dial I just bought has 1/25, 1/50, 1/75 shutter speeds

Check your s/n this could be a red dial. Often the red number inlay looks black due to dirt / age. According to Lager red dials begin with 615001.
 
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