Show your photos from a vintage folder

[literiter]

From my Zeiss Super Ikonta 532/16 w/Uncoated Tessar on expired Fuji Pro 800Z. This one was handheld at f2.8 at around 1/15 sec.

This is just beautiful! Like a painting!

 

[richardhkirkando]

Just found a Bessa RF, a couple wide open from the first roll...


Scan-110701-0008.jpg by richardhkirkando, on Flickr


Scan-110701-0001.jpg by richardhkirkando, on Flickr

 

[josh.sa]

First post here, but ive learned quite a bit reading threads. Both taken with a Zeiss Ikon Nettar 517/16. Black and white is Ilford Pan-F and the color is Kodak Ektar, this one using a found soda cup as a makeshift tripod for the longer exposure.


Untitled by josh.savala, on Flickr.


Untitled by josh.savala, on Flickr.

 

[cjm]

Zeiss Ikon Nettar 515/2 wide open @6.3
expired Kodak 100T

 

[Jack Conrad]

Argh!!! If I could figure how or where this Super ikonta 6x9 is leaking light I might have something to show...
It's not the bellows and I sealed the back with felt. The way the back overlaps so much I just don't see how so much light could be pouring in like this.
Has anyone else has this issue with a 530/2?

If this thing were light tight it might shoot a decent image.

 

[keechoon]

Taken on a Welta Weltur 6x4.5

 

[AJShepherd]

Ok, so not strictly an RF folder, but here's one taken with my Franka Rolfix II, using Ilford Pan F Plus film.

It's an ancient tradition or an old charter that all British seaside resorts have an Authentic Gypsy Fortuneteller, usually called 'Lee' or 'Petulengro'. Bognor Regis is no different.

Gypsy Lee by Antony J Shepherd, on Flickr

 

[josh.sa]

Zeiss Ikon Nettar 517/16 with Kodak 400BW.


Untitled by Josh Savala, on Flickr.

 

[Thomas78]

Ihagee 127 film (Efke 100), 4 x 6,5 cm cropped:

(This photo was taken before cleaning the lens)

 

[Jack Conrad]

Still trying to isolate the light leak in this super Ikonta C. I now know it's not in the back, so must be the bellows.
Funny though, I haven't been able to find any pin holes while shining a light in through the back.

Anyway, here's a shot under the shadow of a tree... and it has almost no light leaks or glare. All the other shots in open sun have massive leaks.

This is a simple snap shot. I haven't spent energy yet searching out decent shots with this camera till I solve its issues, it has me intrigued by the character and presence of this un-coated 105mm Tessar.

1/250 @ f8... Tri-x and HC-110 sol. B for 6 minutes.

 

[Jack Conrad]

Another roll in the Super Ikonta with Tessar wide open after fixing pin holes in the bellows.
Indoors at night on a tripod shooting rather selfconsciously.
Tri-x @HC-110.

 

[Jack Conrad]

And here's a Zenobia 645 that I replaced the shutter and lens on.

 

[antonandreas]

On my Voigtlander Perkeo I (w/ color skopar) and the new Portra 400:


Untitled-Scanned-11 by antonandreas, on Flickr

 

[Jack Conrad]

The cropped top half of a 6x9 Super Ikonta with Tessar

Ikoflex w Tessar

 

[Jack Conrad]

 

[monkeypainter]

Agfa Super Isolette + Portra 400 VC


Músico by Monkeypainter, on Flickr

 

[sleepyhead]

Ensign Autorange 220 with transplanted Schneider Xenar (75mm f/2.8). This photo was taken arounf f/4, if I remember correctly.

 

[charjohncarter]

Agfa Isolette II, AristaEDUultra400, Rodinal 1+50, checking out a light leak (which I solved):

 

[bobby_novatron]

Agfa / Ansco Speedex 6x6, Solinar 85mm F4.5, Tmax 100 ... night exposure of about 30 seconds (one one-thousand, two one-thousand ... )

 

[lynnb]

Agfa Isolette I, Agnar 85/4.5, Ektar 100.