rogerzilla
Well-known
Two on the last roll. You know when you compose a shot really, really precisely and then parallax catches you out? I'm not talking about framing (which is largely compensated for by Leica M moving framelines) but about the relationship of subject features at different distances. Frame someone's head in a distant arch? Forget it. Take a shot through a doorway just revealing an ornate chair inside? The door frame ends upo obscuring part of the chair.
Does anyone make a tripod attachment that lets you frame the shot and then shift the camera body up and to the left so the lens is where the VF was? Mamiya used to have something similar for their TLRs.
Does anyone make a tripod attachment that lets you frame the shot and then shift the camera body up and to the left so the lens is where the VF was? Mamiya used to have something similar for their TLRs.