Negatives

What I mean is that unlike a negative, a RAW file has no direct relationship to the final image/output. It's not a "digital negative." If it is something, it's something far less than a negative.
 
What I mean is that unlike a negative, a RAW file has no direct relationship to the final image/output. It's not a "digital negative." If it is something, it's something far less than a negative.

I remember reading that future archaeologists will wonder why in 1995 everybody stopped taking pictures.
 
This was Frame #40. Looks like HCB's was #39? Late roll keepers :)

(Website link) "...The world's most famous negative. Korda used a Leica M2 with a 90 mm lens and Kodak Plus-X film. The famous image was captured on frame number 40."

negative.jpg

... I always thought the famous Che image was a crop of a group shot.
 
Joe Rosenthal
Flag raising on Iwo Jima, Feb. 23, 1945

Speed Graphic
4x5 negative

B_JOE_The_react_33.sjpg_950_2000_0_75_0_50_50.sjpg

Interesting image -- maybe it's illustrating my ignorance, but I find it interesting that this 4x5 negative is rectangular, rather than the roughly "T-shape" produced by modern film holders -- when did that change happen, and how was the film held flat in those old holders?
 
That HCB negative looks even sub normal, but I'm sure I'm wrong.

From what I have read many of HCB's negatives are a nightmare to print. It sounds like the exposure was sometimes off by a few stops. There was an exhibit a few years back at the Getty and they had a few of his prints. I was surprised to see how technically mediocre many where. A lot of them looked 'chalky', like the printer had tostruggled with an over/under exposed negative. Many were also slightly out of focus. :)
 
Interesting image -- maybe it's illustrating my ignorance, but I find it interesting that this 4x5 negative is rectangular, rather than the roughly "T-shape" produced by modern film holders -- when did that change happen, and how was the film held flat in those old holders?

What do you mean by T-shaped?

thx
 
^ It doesn't have the typical film holder masking around the edges. Maybe it is a dupe of some kind, but the envelope says, "Original".
 
^ It doesn't have the typical film holder masking around the edges. Maybe it is a dupe of some kind, but the envelope says, "Original".

I see. I think the article mentioned that it was his own personal safety neg.
Let me try to see if I can find that again.
 
From what I have read many of HCB's negatives are a nightmare to print. It sounds like the exposure was sometimes off by a few stops. There was an exhibit a few years back at the Getty and they had a few of his prints. I was surprised to see how technically mediocre many where. A lot of them looked 'chalky', like the printer had tostruggled with an over/under exposed negative. Many were also slightly out of focus. :)

Well, at least I'm not the only one that thinks that his negatives may be lacking.
 
I see. I think the article mentioned that it was his own personal safety neg.
Let me try to see if I can find that again.

The "personal safety neg"-part would make sense then.

What I mean with T-Shape is demonstrated here (a contact print of one of my negs). It clearly shows the edges, and the absence thereof at the top-right and top-left of the print:


Qutb Minar - Alai Darwaza by nbg90455, on Flickr
 
Fascinating thread, thanks for starting it.

Dorothea Lange
Migrant Mother, Nipomo, Calif. Mar. 1936

Graflex RB (?)
4x5 negative

MigrantMother.jpg



It's interesting, you can (just) make out the retouched thumb of the mother as it's wrapped around the pole (bottom left corner as you look the negative - the index finger was left untouched). When looking at the positive it's well nigh impossible to see it. Very fine retouching needlework.

.
 
I find it comforting that someone with his genius and experience still had trouble keeping exposure and focus perfect while pursuing candid shots!

Randy

Maybe his "sloppiness" in things technical allowed him to be more prolific by ... pushing the shutter release at that right moment rather than, twiddling the exposure controls or focus ring.
The pursuit of technical perfection was never as easy as it is today.
I still often miss the perfect moment even with the "latest and greatest" gear to be had.
 
Back
Top Bottom