CMur12
Veteran
Ten rolls of Ektachrome 100 in 120, with processing mailers, and a Rollei 6000 interchangeable back. This will be my last purchase. For this month...
Edit: Answered in post above.
- Murray
Ten rolls of Ektachrome 100 in 120, with processing mailers, and a Rollei 6000 interchangeable back. This will be my last purchase. For this month...
Sorry, my post was unclear. I bought the film and the processing mailers (Fuji branded) as separate items in one order from B&H.Where did you get the film with processing included?
- Murray
Thanks for the comments, all, on the slide rule. My father (an actuary and math major in college) of course had one and used it, pre-calculators. I will see what I can find out about using them -- they seem brilliant. Hopefully I will be able to figure them out. Alpsman's comment is encouraging.
Regarding the typewriter -- no, I don't speak Portuguese at all, though I can figure out a little, just because it's a Romance language and I can "triangulate" from French/Spanish/Italian. I have a collection of typewriters and am embarrassed to say I focused on the typewriter itself and not the keyboard -- what are the chances it would be so different? So I didn't even notice until later.
First I had to figure out what the keyboard was; fortunately I have a reference guide. Of course it's fully usable for just the English alphabet, but touch typing is out of the question, considering how very different it is from the standard QWERTY keyboard. Apparently (according to Wikipedia) the keyboard layout dates from the mid-20th century, maybe instituted during the Somoza regime? Portugal long ago adopted the QWERTY keyboard, so this typewriter is a bit of a time capsule. I haven't checked the serial number but I doubt it's newer than the 1960s. I have no idea how it would have come to be in Hartford, CT (though there is a sizable Portuguese community of long standing here).
Yes, several of the diacritical mark keys are "dead keys" -- they don't advance the carriage (so a little planning is required, as you mention). One key I can't figure out -- it has a and o (underlined just as shown). I don't think I've ever seen these before.
Oh, I got the meter, slide rule and Olivetti for $40 total. The hunt was good -- the gods are pleased!
Wow -- I confused Antonio Salazar with Anastasio Somoza (Nicaraguan dictator). Careless. Thanks for not pointing it out. 🙂If it's mid-20th Century, it was during the Salazar regime.
Portuguese keyboards that I know are mostly QUERTY, with most differences under the right small finger and in the symbols over the top-row numerals.
Slide rules, as I recall are accurate to three decimal points.
That is a helluva bargain! I couldn't have passed it up, myself.
- Murray
Won a very attractive looking Leica IIIc body.
I have a very nice Elmar 5.0cm f/3.5 that will suit it beautifully, and a Color-Skopar 28mm f/3.5 as well.
Nice find! I attended a gallery showing of Richard Avedon's prints at the Detroit Institute of Arts back in 2009; it was a great experience.Finally found an affordable copy (2005 20th Anniversary Edition) of In The American West.
View attachment 4841265
Great lens, I use it on my CL and R3a when I’m not using the summicronI just bought a Voigtlander 40mm f/1.4 MC. Now I just have to find a camera body to mount it on.
Just got hold off the new Fuji Instax Wide 400 - massively impressed but then again I’ve already got a nons back for my Hasselblad…they’re so much better than Polaroid in terms of development and colour rendition
Always had better results with Fuji pack film over Polaroid (just finished my last couple of packs in Feb). The black and white packs for me seem to give the most inconsistent output but haven’t tried it through this yet…I find it’s more consistent than my Polaroid 600 and has the choice of 3 different focus settings…but hey it’s essentially a fun point and shoot that will be used for club nights and partiesThat example looks a little cyan to my eye, but I know ... how you digitized it and such, never mind the differences in our displays, can easily account for such things.
I use a lot of both Instax (SQ and Wide) as well as Polaroid SX-70 and 600 films. Instax has had the benefit of Fujifilm big development money for decades, and Fujifilm was the only certified licensee of Polaroid's instant film patents since they started doing instant film, so it makes sense that their products are slick and professional. Polaroid Corporation crashed hard, was barely pulled out from the grave by The Impossible Project, and has had to reinvent the whole process essentially on a shoestring budget. Their film products have progressed, nearing the level of Polaroid of old, but not yet the utter consistency and reliability. Their color films seem well-finished now, the very latest B&W is finally getting to be where I'm happy with it.
I get good results with both with various different cameras (original and modified SX-70s, NONS Instax back, MiNT RF70, etc etc). As I look through the several hundred combined packs of both, I'd say my keeper rate (personal satisfaction, not necessarily high quality) is probably around 50-60% with all of the films, because all of them seem to have the same basic issues of limited exposure latitude and dynamic range, independent of the specific consistency of each individual pack.
Which reminds me: I'm down to my last three packs of Polaroid, time to order again. 😀
G
Pray tell.Five Werras in two days!
Well nothing has arrived yet but it seems like a Werra 3, Werra 4, Werra Mat and two cosmetically different Werramatics (one without stripes). The Werra 4 is green (which I adore). But Identifying Werras is a skill to be learned.Pray tell.