I'm looking forward to to the day that a journalist's camera, through built-in cell phone, satellite phone or wireless Internet lets the photographer transmit pictures back to the main office directly from his camera.
Wow, the whole workflow skipped! No color correction, no noise correction, nothing,
nothing! standing in the way between the camera and the newsroom. And with 8-12 fps... hmm, I think we already have that; don't they call it
live TV?
I think there will be one other improvement in digital cameras that will be harder to put your thumb on. When you see how images can be changed in programs like Photoshop, you realize that the software in cameras can also affect image quality. While you can use that to compensate for a specific fault in a lens like vignetting, I imagine the camera manufacturers are using software to chase down a far more elusive quality – "sharpness."
(my italics)
While it's not "vignetting", but
light falloff what he's referring to (and two very different concepts, which to the
populi look the same), he's right here, including his "Geez" factor. I too am weary of this "sharpness" game. A lot of cheating was done in the 50s to accomplish this. It will never end.
I can see his sticking to his guns with LF. I don't have the setup or time for it, unfortunately, but have some MF gear, so I can understand a little bit of his sentiment. The problem is that digital is being seen as a
substitute, not a complement. Then again, it's "professionals" that drive the industry, and their needs are fulfilled by all the conveniences of digital.
That is, of course, until Microsnot implodes in a certain Red government takeover. Good thing Adobe spearheaded DNG; don't forget to convert your RAW files!