Another Reason To Dis Digital

photogdave

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Sigh...There I was, scouting out a location where I was going to shoot a wedding completely with film on RF cameras (saving the details for another thread). I was firing off some test shots with my beloved Panasonic LC-1 when it totally died. The screen fizzled out and it was just dead as a doornail.
Sent it in for a repair estimate. $700 to replace the main board. I love the camera but no way! :mad:
Anyway it just makes me mad that to replace one part is half the original retail value of the camera and more than I actually paid for it! Meanwhile I have 30+ year-old Leicas and a 50+ year-old Rolleiflex that require nothing but minimum maintenance to keep running smoothly.
I've been shooting about 90% film all along anyway but this experience just reenforces my continued allegiance to mechanical film cameras. Of course I've just now booked a trip of a lifetime that will take be to the Galapagos islands and I'll want something compact with a good telephoto lens. Hello Olympus E-420! :rolleyes:
 
digicams are really just very expensive disposable cameras.

This is obviously an exageration, but it has certainly been true leading up to the 5-6MB cameras. I am about to sell my first dSLR (the original dRebel) and I wonder if I'll be able to get $200 for it even with all the extras.
 
One of my OM2S's had the shutter lock up on a shoot last week. The repair will be more than I paid for the camera! So it can happen to film cameras as well.
 
Oh yes... died digicams in our family the last years:

Kodak DC4800, 2 Canon Ixus, Fuji E550, Fuji S20Pro, Sony DSC-W15, Konica Minolta Dimage Z3...
:(

Regards, Axel
 
One of my OM2S's had the shutter lock up on a shoot last week. The repair will be more than I paid for the camera! So it can happen to film cameras as well.
I know, but how old are those cameras and how much use did you get out of them? I only had mine for less than two years! :(
 
Having been in the business, it was hard to explain that repairs were often based on the suggested retail price of a camera, not the street prices. So often, an extensive repair wound up costing 75% of street price and it came with a six month warranty.

More than once I sold a new camera to replace the broken one. Digitals are for the most part no better. Sad.
 
Are you sure it's not the CCD?

I have an LC1 that I love dearly, and there have been numerous postings on the Leica forum about the Digilux 2 and the LC1 dying due to some dodgy Sony sensors.

The LC1 is a gem, unlike most other digicams. I'd do some more research before dumping the LC1 outright - maybe Panasonic can cover most of the expense under warranty like Leica is doing?
 
digicams are really just very expensive disposable cameras.

This is obviously an exageration, but it has certainly been true leading up to the 5-6MB cameras. I am about to sell my first dSLR (the original dRebel) and I wonder if I'll be able to get $200 for it even with all the extras.

I agree. When I used to shoot color print film, it cost me about 50 cents (US) per shot when one added up the cost of film, development and printing to 4 by 6. So, if I buy a $500 digital P&S and get 1,000 shots from it, and it dies at that point, I figure I'm even. So far I'm up to maybe 2,000 shots on my Sony DSC-V3, so any more I get is gravy.

At $700 to repair, it might be better to just buy a new one from Amazon or somewhere, and sell the second lens to someone with another 4/3 system camera.
 
If the hard drive in my DSLR dies, I have a spare. It's 16 years old. They don't make them like they used to.

These days, film is cheap. $1 a roll of 24 exposure film, $3 to print to 4x6. $4 to print to 5x7.
 
Actually some working pros do consider DSLRs to be disposable cameras. I shot a gig with a guy who is a full-time sports photographer. From late August through June he shoots sports at least 5 days a week in Texas.

We were shooting an event together, and during a break he says, "If you need a back up you can use one of these". The he opened a suitcase with 4 D2X bodies and a several beat up lenses wrapped in towels. He travels with a suitcase of D2X bodies and old lenses stashed in his car's trunk as back ups for his D3/D300. The D2X's have so many clicks they are worth little on the used camera market. Also he's too busy to sell them. So he just keeps them "just in case". I would have offered him next to nothing for one, but the D2X is just too big and heavy for me.

Willie
 
its rather easy to dis digital, I use film and digital, both have advantages and disadvantages, mostly I feel like a sucker for falling for the hype, and upgrading the DSLR, and the pocket compact. Still, it keeps the photo industry ticking over.
 
Most goods built nowadays are not built to last, this is modern consumerism.
Fridges, cars, clothes, everything is not what they used to be for many brands. As an example, people now own their cellphones for an average of two years than change. Same is happening to cameras ... so I am not sure sticking to film will have an effect on this trend. The cost of developing film is on an exponential compared to the cost of owning an digital camera. In a few years, even if the old Leica will remain more reliable, it just won't make any sense to shoot film, except for the high income photographs.
 
For sporting events digital cameras provide the photographer with the opportunity to shoot a 1000 photos where 100 would have sufficed. That was how it was explained to me. Don't need a lab. Just email them and go to the next event. Quality is and optics is not and never was a consideration in sports photography. If enough pictures are taken some are going to be usable. Four Nikon D2xs are the cost of doing business. Fact of life.
 
Are you sure it's not the CCD?

I have an LC1 that I love dearly, and there have been numerous postings on the Leica forum about the Digilux 2 and the LC1 dying due to some dodgy Sony sensors.

The LC1 is a gem, unlike most other digicams. I'd do some more research before dumping the LC1 outright - maybe Panasonic can cover most of the expense under warranty like Leica is doing?
I did look into that. My camera did not fall into the range of serial numbers with those sensors, so there will be no warranty coverage.
Thanks for the tip though!
 
I agree. When I used to shoot color print film, it cost me about 50 cents (US) per shot when one added up the cost of film, development and printing to 4 by 6. So, if I buy a $500 digital P&S and get 1,000 shots from it, and it dies at that point, I figure I'm even. So far I'm up to maybe 2,000 shots on my Sony DSC-V3, so any more I get is gravy.

At $700 to repair, it might be better to just buy a new one from Amazon or somewhere, and sell the second lens to someone with another 4/3 system camera.
Unfortunately it's the LC1, not L1, so it is a fixed zoom lens camera.
 
Users

Users

Different users have different criteria, so most discussions are comparing apples to oranges.

A pro considers a camera the way a carpenter considers a hammer - it's a tool. It's cost gets factored into the overhead.

An amateur considers a camera as an investment and expects it to last until there is a reason to change.

Electronics makers (of cameras, TV's and the like) consider their products like spaghetti, they just keep cranking it out by the yard and hope that it gets consumed and you come back for more.

Most electronic items these days are assembled by machine and contain very small components and are, therefore, almost impossible to "fix". At best some sub-assembly will be replaced. There is no solution to this, you can't cram so many features into a small box without compromising repairability.

Either accept the limitations on product lifetime, or stick with mechanical devices and hope for the best. Even then spare parts become an issue.
 
... Anyway it just makes me mad that to replace one part is half the original retail value of the camera and more than I actually paid for it! ...

How does the cost of an overhaul from DAG or Sherry compare with the original retail value of an M3 or M6? Probably pretty similar, although the working life is usually 30 years.
 
My now outdated Nikon D100 still soldiers on five years after purchase. There's some wear to the finish on the buttons, but everything else is as new. It's been subject to -40C temperatures in the Arctic, been dropped many, many times, and wet many more. It has never put a foot wrong. and the original 1GB IBM Microdrive still works too. These days it usually has 'Ugly Betty' the 60mm Macro bolted to the front, which despite her cosmetic frailties, still takes a cracking sharp picture. It doesn't quite have the wonderful tactile feel of a Leica, but it's a Nikon and built like a tank.

Andy
 
How does the cost of an overhaul from DAG or Sherry compare with the original retail value of an M3 or M6? Probably pretty similar, although the working life is usually 30 years.
Exactly! I would rather pay half of my cost to CLA a Leica that lasts 30 years than double my cost to replace a digital that's already obsolete.
However what I'm really trying to say is that I love the camera and want to keep using it but the repair cost is too high! This discussion has veered off into the usual film vs digital and the camera is just a tool etc etc but that's not what I was intending to get into.
 
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