For me the very important statements from Fujifilm's CEO Komori in this documentary are:
- there is an analogue revival
- Fujifilm is committed to continue film production
- for them photography is an essential culture of mankind which has to be preserved, and they feel it is their mission to preserve it.
To see their help in saving the pictures of the Tsnunami victims was very heartwarming. Wonderful initiative!!
+1.
And in addition to that:
Several times Mr. Komori emphazises how important it is to have a physical, real photograph in your hands (print, slide).
Fujifilm is the market leader in production of real photo paper, silver-halide process RA-4.
That is a huge market with several hundred million m² sold each year.
And I find another detail very important:
Let's look at the scene where they visited the Instax film production, the converting / finishing line.
Every second (!) one finished film pack left the machine.
And the employee said that they are producing the whole day, 24h, several shifts because of the very high demand.
That means more than 31.5 million film packs a year!
And that only from one packing machine. Maybe a second or third line is also running there.
And that was only the Instax mini colour line.
Then in addition we have the Instax Wide line, and the Instax mini Monochrome line.
Very impressive.
I am using an Instax Wide 210. I like the Instax Wide format.
The film is very good, unfortunately the camera is quite limited in its capabilities.
The results could be much better with an improved camera.
Dear Fujifilm, please listen:
Please give us much better cameras for the Instax films, especially for the Wide format film!
A sophisticated camera with a really good glass lens (e.g. Tessar-type like).
You can do that.
You have produced similar cameras in the past, like the Fuji Fotorama FP-1.
Thanks in advance!
Cheers, Jan