canonetc
canonetc
Hi All,
Recently found a cool coffee-table book about Kodachrome 64 for $8.00. The book is a history of the film from before WWII up until the 70's. The best thing about it are the truly INCREDIBLE photos, many shot on 4x5 sheet film and trusty 35mm.
The images from The Third Reich and WWII, such as color pics of Hitler or the FDR-Churchill-Stalin conference, were interesting to say the least, and one of Judy Garland was amazing in it's richness and skin tonal rendition.
Inspired, I grabbed some good ol' 35mm Kodachrome 64 from my refrigerator, and shot a roll on my Contax G2 while in Arizona. Upon taking the film to my photo lab, I was told, "It will take a week; Fuji has to send it to Phoenix. Or, we can send it to Switzerland if you wish. Those are the only places processing 64. So use it up because soon no one in the US will be processing it." Guess I should have found the lab while I was in Phoenix! So, I have to wait a week until they come back.
With the news on AGFA (see Roman's comments on the matter in the Thread about AGFA), plus those prior news on Ilford, makes me begin to wonder if film may see the end of time. And what infuriates me is that those of us who still want to use film may end up being totally ignored for the corporate bottom line. Black market, anyone? 🙂
In some ways, this may be good; we can "corner the market" as artists using film for creativity.
Ah well. I plan on supplying some interesting tidbits of info on what Kodak (and all the other manufacturers followed suit) did in order to manipulate the film market. It's all in the book, and while shocking, not surprising. Basically, it had to do with keeping some things secret.
cheers,
chris
canonetc
Recently found a cool coffee-table book about Kodachrome 64 for $8.00. The book is a history of the film from before WWII up until the 70's. The best thing about it are the truly INCREDIBLE photos, many shot on 4x5 sheet film and trusty 35mm.
The images from The Third Reich and WWII, such as color pics of Hitler or the FDR-Churchill-Stalin conference, were interesting to say the least, and one of Judy Garland was amazing in it's richness and skin tonal rendition.
Inspired, I grabbed some good ol' 35mm Kodachrome 64 from my refrigerator, and shot a roll on my Contax G2 while in Arizona. Upon taking the film to my photo lab, I was told, "It will take a week; Fuji has to send it to Phoenix. Or, we can send it to Switzerland if you wish. Those are the only places processing 64. So use it up because soon no one in the US will be processing it." Guess I should have found the lab while I was in Phoenix! So, I have to wait a week until they come back.
With the news on AGFA (see Roman's comments on the matter in the Thread about AGFA), plus those prior news on Ilford, makes me begin to wonder if film may see the end of time. And what infuriates me is that those of us who still want to use film may end up being totally ignored for the corporate bottom line. Black market, anyone? 🙂
In some ways, this may be good; we can "corner the market" as artists using film for creativity.
Ah well. I plan on supplying some interesting tidbits of info on what Kodak (and all the other manufacturers followed suit) did in order to manipulate the film market. It's all in the book, and while shocking, not surprising. Basically, it had to do with keeping some things secret.
cheers,
chris
canonetc