Leica Digilux 2

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With the LEICA DIGILUX 2, Leica Camera AG, Solms, presents a high-performance digital reportage camera for ‘traditional photography’. It is the first Leica digital camera that can be operated like a professional analogue camera: the crucial photographic parameters such as focus, aperture, shutter speed, and focal length can be set using rings on the lens and a shutter speed dial, as on a classic reflex camera. In addition to its convenient automatic functions the LEICA DIGILUX 2 thus combines creative freedom and the familiar handling of traditional cameras. “Just like photography with the legendary Leica coupled rangefinder cameras, the LEICA DIGILUX 2 concentrates on what is essential. The camera’s basic functions are simple and intuitive to master and provide an optimum basis for individual digital photography with a personal touch“, says Markus Ring, Compact Cameras Product Manager at Leica Camera AG.

The new compact camera is notable for its high-speed LEICA DC VARIO-SUMMICRON 7-22,5 mm f/2.0-2.4 ASPH. zoom lens, which covers a focal length range comparable to 28 to 90 mm in the 35 mm system. The 2/3-inch image sensor is extremely large and gives a resolution of five million pixels. Each individual pixel has a size of 3.4 µm thus has more surface than is normal in this class of digital cameras. Larger pixels can register the light more quickly and therefore reduce errors such as interference. “The combination of the high optical quality of the Leica lens and what is currently the largest sensor area per pixel in this class of digital cameras leads to extremely high picture quality“, adds Markus Ring.
The LEICA DIGILUX 2 has a large and bright 2.5“ monitor, allowing excellent picture evaluation during and after taking. The 64 MB SD memory card included with the camera provides an above average memory holding 6 to 484 images, depending on the selected picture quality. The markedly short shutter release delay means that the camera is outstandingly well suited for quick and spontaneous shots.

The clear, modular design of the digital camera is the work of the Berlin designer Professor Achim Heine. The controls, which are predominantly based on traditional analogue photography, are clearly positioned and support the easy operation of the camera.

The LEICA DC VARIO-SUMMICRON 7-22,5 mm f/2.0-2.4 ASPH. lens consists of 13 elements in ten optical components. Two of the lens elements have an aspherical surface, differing from the normal spherical shape. All lens elements are made of genuine optical glass and provided with a coating by means of a state of the art technology. The exclusive use of high quality materials – including special glass types produced in low quantities – contribute to the increase in contrast and brightness. The LEICA DC VARIO-SUMMICRON 7-22,5 mm f/2.0-2.4 ASPH. has a fixed first lens group. Focusing and focal length adjustment take place exclusively inside the lens. This results in excellent mechanical stability, guaranteeing optimum setting accuracy, durability and precise control.

The LEICA DIGILUX 2’s 2.5“ LC display is transreflexive: a combination of backlighting and use of the available light increases its brightness. This eliminates most of the troublesome reflections that sometimes appear on display surfaces in bright ambient light. Picture evaluation is possible even when looking at the display from extreme angles. The high-resolution 211,000-pixel camera display provides a bright, high contrast image. As an aid to manual focusing, the center of the display’s screen serves as a magnifying glass, showing an enlarged section of the subject.

The LEICA DIGILUX 2 has a large, high contrast electronic viewfinder with what is currently the maximum possible resolution of 235,000 pixels also featuring diopter compensation. The former prevents the viewfinder image from being obstructed, which the large lens and the wide-angle range would cause with an optical viewfinder. The 15 mm eyepoint makes the viewfinder easy to use, even for people wearing glasses. All the information in the display is also available in the viewfinder. In addition, saved pictures can be viewed in the viewfinder, which can be very useful in extremely bright sunlight.

The LEICA DIGILUX 2 will be available at Leica stockists' as of February 2004.

Supplementary quotations:

Hanns-Peter Cohn, Chairman of Leica Camera AG:
“When you think of real photography, you think of craftsmanship, magic moments and a conscious use of technology. The LEICA DIGILUX 2 represents a commitment to photographic craftsmanship. The positive handling of tradition, even in product development, is also a basis for products that retain their value over time, as is normal for Leica in the analogue world. In this day and age, it is a counterpoint to the mainstream of automation, virtualisation and miniaturisation. It is a counter concept to photo mobiles and photo computers, without losing the advantages of digital technology. The most important things to us are the final picture and creativity, not the question of whether the picture takes an analogue or digital route. In the mature digital photography market, there is room for solutions that bring together the traditional and the modern. I believe that the LEICA DIGILUX 2 is a digital camera in the old photographic style!”

Gero Furchheim, Division Manager Corporate Communications, Leica Camera AG:
“We commissioned the Magnum photographer David Alan Harvey to take a portfolio of photos for us with the new LEICA DIGILUX 2. I met him on a reportage assignment for National Geographic France in Louisiana, to show him an initial prototype. David is a Leica M photographer, who uses a minimum of equipment. At our meeting in a Cajun pub, he had no time for technical explanations. He simply wanted to try out the camera and learn to use it intuitively. He set the shutter speed, aperture and flash in the way he was familiar with from the LEICA M6. After ten minutes he came back. In the can was an atmospheric photo of dancers and an accordion player. David was extremely satisfied with the picture and accepted the camera as a digital extension of his M equipment.“

The LEICA DIGILUX 2 at a glance
Fast 7 – 22.5 mm LEICA DC VARIO SUMMICRON f/2 – f/2.4 ASPH. zoom lens (equivalent to a 28 - 90 mm zoom lens on a 35 mm camera)

2/3" CCD sensor with 5.0 million pixels

Analog photography feeling conveyed by manual setting possibilities directly at the lens

Its traditional clear design readily identifies it as a typical Leica

Transfer-reflexive 2,5“ display with a resolution of 211,000 pixels and outstanding brilliance

Electronic viewfinder with 235,000 pixels that covers 100% of the picture being taken

Extra large picture storage card with 64 MB

Interval timing and control via the PC

Connections:
USB 2.0 (High Speed); DC IN; AV output with option of PAL or NTSC; Remote release cable

Extremely robust and long-lived because of the use of high-grade materials and precision fabrication
 
The cosmetics are nice - they evoke the style of a M series Leica. I like that. Many digital cameras are too futuristic and bizarre looking. But I bet the price on this is going to be up in the stratosphere.
 
I've had a D2 for about a year. Great results. I've shot mostly in the B/W mode, printed out on an Epson 2200. 9X12" prints from ISO200 look very good. Battery life has been excellent. Auto focus in the "spot" mode is excellent. The EVF takes a bit to get used too but what you see is what you get and I've found it too be fine in the field. I shot for while at first in RAW file mode but to tell you truth in the highest JPEG format I simply can't see much of a difference. I use an Ultra II Sandisk card with write speed being fine for me.
12 prints from D2 work this summer with a writer friend will be going up in an exhibit at the end of October.
I've heard many pros and cons over on the Leica Forum but I gotta' say it's been great for me. I originally had a D1 and that camera for my work was unacceptable on a number of fronts. Great point and shoot but not right for me.
I do miss the film look so an R3A/40mm is in route from Mr. Gandy but I'll still be using the D2 a lot in the future.
 
I had the LC1 (same as D2) for about a year. I produced nice results for a 5mp small sensor camera. The Leica lens was superb but the EVF was not the best. It was grainy and made manual focusing difficult. The AF lag was a bit slow as well. It made decisive moment shots very hard to get. One nice thing is that is was absolutely silent to operate. I sold it for a DSLR but sometimes I miss it. The 8mp DSLR outperforms the LC1 for noise and details. The Leica lens on the LC1 did produce that nice Leica glow though. If you are looking for a digital Leica M then I would go for an R-D1 not the D2. It was definitely not the same as using a rangefinder.
 
I own and use both the LC1/D2 and the R-D1. I have had them both for about 5 or 6 weeks and am still 'getting into' them both. Yesterday was a typcal test for them when I attended a 50th birthday party on a farm where there was plenty of 'great images' to capture eg. chook sheds with chooks (chook= Oz for chicken), vegetable gardens and walls, old fashioned kitchen with a wood fired stove, peple eating and drinking, etc.

ie. landscape, people, whatever style turns you on. I used both cameras, plus my classic Leica M6 + Noctilux.

Assessment:
The LC1/D2 is dead silent, precise to compose, SLOW to shoot in RAW which renders it useless for more than one shot in candid situations and the poor S/N ratio at ISO higher than 100 is not good enough.

The R-D1 shoots very much like a classic Leica, the high ISO speeds are very good, the shutter noise is clearly discernable, the ergonomics are great, the VF framelines are not so accurate and the shooting speed for rapid candid shots in RAW is almost good. There are definite focussing issues with some lenses, which I am still sorting for myself. (Can anyone point me to the thread where this was discussed with a "how to" description, please).

I will try to post some comparative images from yesterdays shoot to illuminate my comments as soon as I process the RAW images.
 
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Belated contribution to this thread:

I acquired a Digilux 2 some months ago. It has become indispensible! It has "Only" five megapixels, but I get wonderful 7.5" x 10" prints. I thought I understood that you need 300 dpi in the print for full quality. But printing at 256 dpi, I get a 7.5" x 10" print that I can find nothing wrong with. The lens seems to be sharp at all focal lengths and apertures. There really seems to be something to say for a lens that's designed for the sensor it's going to work with. I'm happy with the electronic finder. I like seeing the histogram in the finder. It's an advantage to have live view. And the non-removable lens means I won't ever get dust on the finder.

All this praise is coming from one who has a closet-ful of film Leicas, and another closet full of Nikon gear.

I've looked at the Digilux 3, but I read that the finder is dim (and not electronic) and the 3 is a lot bigger and heavier than the 2. So I'm experimenting with a D200 for a comprehensive system camera. But don't be surprised if I' wind up with a Digilux 3 later!
 
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