Lomography x Zenit Mercury-2 Lens 35mm f2

TenEleven

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I first ran into this lens on a popular auction site in 2018 or 2019, I believe. Back then I hesitated to pull the trigger because the price was 500 dollars or so for a completely unknown lens with virtually zero information available anywhere. The copies on offer also lacked an aperture index, another turn-off.

Recently I ran across it again and since the price was reasonable and it actually had an indexed aperture, I went for it.

Here is what it looks like "worn" on a Leica M2. These photos are already post-service, so I am getting ahead of myself.
IMG_3357.jpgIMG_3358.jpg

The lens as it arrived had a slightly oily aperture and infinity focus was well beyond infinity. My Jupiter-3+ also seemed to use quite runny oil for the aperture, which I had rectified recently. I was however very happy to see that the focus scale tracked the rangefinder perfectly from infinity (spot-on on both M and LTM) to about 0.65m when my M2 usually decouples as is the case here.

Focus down to about 0.45m these numbers are marked in red as RF disengages.

In an internet first we have some disassembly pics, nothing too exciting I am afraid.
IMG_3355.jpg
The construction is aluminum for the lens housing and brass for everything else.
Point of note: the rear group also has a black shim washer around it - most likely to set the correct focal length and optical corrections.

IMG_3356.jpg
I was happy to see brass studs used for the aperture pivots, together with the brass helical this should make the lens rather wear-resistant. The aperture mechanism construction is typical Jupiter-xx or Carl Zeiss Jena style. If you have seen these lenses you will find no surprises here.

I proceeded with shimming the lens up to infinity (shim size is not shared with Jupiter-3, 12, 8) and seems unique to this lens; so I made some shims from copper tape. It needed c.a. 0.25mm more to not overshoot infinity on my DIY collimator.

Construction wise this lens reminds me of a Biogon 35/2.8 LTM or a Jupiter-12. The front group screws into the focus housing first. Then you screw the rear group into the front group, not the housing, which is a Jupiter-12 style construction. Also the aperture is not indexed to the focus housing, instead it is indexed to the front group. The index does not rotate but the scale does, just like on a Jupiter-12. If you install a filter or hood you will now rotate the filter to adjust the aperture, just like on a Jupiter-12.

The Biogon/Jupiter-12 construction (and the lens being a prototype!) is likely also why after shimming the lens up to spec I can no longer turn focus to the red 0.5m mark. I assume due to the rear group housing hitting the focus mount. Not a huge loss, but points to the prototype nature of the lens.

It is likely someone absconded the parts that constitute the copies floating around from the KMZ factory and made them into "complete" lenses. It is safe to assume that in proper production the housings would have been matched to the lens so that this would not happen. Chan from "Chan's Blog" below seems to have had a similar experience. It's funny how history seems to repeat, isn't it?

From what I could gather from the very few sources I could find (two to be exact):
- It's a lens that was commissioned by Lomography of the KMZ factory in Krasnogorsk
- It's LTM native but rangefinder couples down to 0.6m thereabouts with an M/L ring with the appropriate cutout
- Register appears to be Leica, not Zorki
- Weight is 202 grams
- 35mm long at infinity and 56mm wide at the widest
- takes 46mm screw in filters
- 9 curved aperture blades in a circle - f2 to f22; at f2 the blades are still visible
- the front and rear elements are quite large
- the lens does not rotate upon focus
- I counted 5 reflections in the glass in front and 7 in the back (Double Gauss with extra rear element? 4 groups/7 elements?)

There are two sources I could find about this lens:
One is "Chan's Blog" (Chinese): Post 1, Post 2
An Instagram from "The Latent Image" it appears to be a camera shop. Post

The IG post and "Chan's Blog" speculate different origins for this lens, I think that the IG post might be correct with it stating the lens being "based on" the LOMO OKS8-35-1 due to me counting 7 reflections in the back, which would match the element count of that diagram. Regardless of which it is, the lens has been scaled up to cover full size, since the elements are considerably larger than either of these lenses.

I will report back when the focus test was successful and go and take some pictures with this lens, which I will post here.
 
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I first ran into this lens on a popular auction site in 2018 or 2019, I believe. Back then I hesitated to pull the trigger because the price was 500 dollars or so for a completely unknown lens with virtually zero information available anywhere.
Same here, maybe we were viewing the same auctions from Russian sellers. I used to frequent lomography.com, and recall a number of "Lomography x Zenit" lens offerings, as well as new-in-box KMZ-made cameras and lenses, but at some point, they were all phased out without explanation (could this have been 2014?). I was never aware of this particular lens seeing the light of day on Lomography's web site, nor have I seen examples of Lomography's usual colorful packaging.
 
Same here, maybe we were viewing the same auctions from Russian sellers. I used to frequent lomography.com, and recall a number of "Lomography x Zenit" lens offerings, as well as new-in-box KMZ-made cameras and lenses, but at some point, they were all phased out without explanation (could this have been 2014?). I was never aware of this particular lens seeing the light of day on Lomography's web site, nor have I seen examples of Lomography's usual colorful packaging.
Yeah, I never saw packaging for this or the others.

Speculation on my part - the Jupiter 3+ did not sell very well. Perhaps due to the strange-seeming combination of Lomography and Leica (screw mount) many people were reluctant. Further insult to injury the price was befitting of the lens' quality but ended up being much higher than the average Lomography product.

But it seems clear that they had great plans for this lineup of lenses. This Mercury 35/2 is one example, there were also images of a Jupiter 9+ 85/2 and a Jupiter 8+ 50/2 floating around. I also saw a Jupiter 9+ for sale but sadly biffed it.

So, in the end after the Jupiter 3+ and the New Russar 20/5.6 did not take off as expected Lomography probably pulled the plug due to poor sales.

Goes to show that even when you time your product right (the 2015/16 rangefinder revival wave) and release a good product, success is sadly not guaranteed.
 
Boring test film has been shot and developed.

Forgive me not sharing the test pictures. They are very boring and not very informative as I shoot the same things again and again to get an idea on whether my repair succeeded (it did) and the real world performance of the lens with 3D subjects.

Some initial impressions, all on film
  • after shimming, focus tracks on Leica/Canon from infinity to 0.6m, no problems
  • at f2 infinity is a tad soft but usable, medium distance (2-3m 6-9ft) the lens comes out swinging with already very high central resolution which slowly dissolves into non focus, it maintains performance until 0.6m even wide open
  • by f2.8 the center sharpens slightly and the periphery improves a lot
  • by f4 the image is very sharp except for the most extreme corners which are a tad softer
  • by 5.6 imaging is very sharp across the entire frame
  • rear de-focus is gentle without any turbulent patterns
  • front de-focus has a bit of glow and is ever so slightly more turbulent; however there is no over-emphasis of subject-outlines or highlights (what the Japanese call double-line bokeh)
  • the corners at f2 gradually fall off into de-focus (due to field curvature) however, the rendering is very gentle and does not distract
  • the contrast seems to stay flat from f2 to f5.6 which is interesting and not typical for Gauss lenses
  • there is no focus shift that I can discern with freehand shooting at 0.6m
  • a negligible amount of barrel distortion, which I only verify by shooting a brick wall and applying a ruler in Photoshop; if the Sonnar or Biogon's distortion did not bother you, you're fine - this has even less
This is a strange lens, despite being a double Gauss design, I would say that its imaging characteristics echo the Sonnar very closely. It would have been an excellent match for the Jupiter 3+. What a bummer they pulled the plug on this.

A very interesting vintage rendering for sure and I can't wait load up some film and shoot it in the "real world". I will post those images here
 
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