pedda
Member
Hi!
I thought that M8 had the lens selection that the M9 has, that lets you select lenses in the menus. Is there any way around the 6-bit coding on the M8, i shoot mainly with the Summicron 35 Asph.
many thanks
Pieter
I thought that M8 had the lens selection that the M9 has, that lets you select lenses in the menus. Is there any way around the 6-bit coding on the M8, i shoot mainly with the Summicron 35 Asph.
many thanks
Pieter
kdemas
Enjoy Life.
Not that I know of Pieter. That said I shoot my 35 Cron ASPH uncoded all the time on my M8 and am very pleased with the results. I think you have to go a bit wider to really see major benefits.
Kent
Kent
Lss
Well-known
No, there is no way around it if you want the camera to recognize the lens. I shoot all the time with uncoded lenses (even wides), and mix that with some coded lenses. No problem that I can see. Certain wides obviously give a cast that I deal with using CornerFix.Is there any way around the 6-bit coding on the M8, i shoot mainly with the Summicron 35 Asph.
Coding lenses makes things easier, but contrary to what some say it is not really necessary in my experience.
jaapv
RFF Sponsoring Member.
A 35 mm lens is a borderline case. You must shoot with an IR filter on for color, obviously - don't believe any forum posts that claim people don't need them - those posts only mean they have no idea about color and what it can look like on a good print, or relish sitting behind a computer, doing layers, LAB color corrections and endlessly painting on layer masks- but the cyan vignetting may be unnoticable on many shots. If it occurs there are three solutions - either correct it elaborately in Photoshop using layers and blending masks, or use the program "Cornerfix" (like many do) or - my preferred method: Use Capture One as your primary raw converter and create an LCC profile by shooting one shot through an opaque piece of plastic and go for the one-click instant correction.
The only thing you will miss with an uncoded lens is the specific EXIF entries.
The only thing you will miss with an uncoded lens is the specific EXIF entries.
pedda
Member
Thanks everyone. I will order IR filters for my lenses - Cron 35 Asph, Cron 90, 50/1.4 Canon LTM & 35 35/1.5 Canon LTM in time but i shoot mainly black and white on my M8, or that is the plan, but i for sure see the need for it. I sure miss to go wider than 50 (the 35 Cron) and my next purchase will probably be a 21 or 24 Voigtländer. So i dont really know that the coding does, but my understanding from what you are saying - the wider i go the more reason to get the lens coded.
Tom Niblick
Well-known
I shot my 35 Summicron, 35 CV Color Skopar, 90 & 135 Elmarits uncoded on my M8 with no problems. The 21 Biogon needed the code.
I tested the 35s with a fast down and dirty sharpie job by shooting a white wall. The results were a bit better in the corners when shooting wide open but once past F4 the code was not enough to make a difference in real life. IMHO
YMMV
I tested the 35s with a fast down and dirty sharpie job by shooting a white wall. The results were a bit better in the corners when shooting wide open but once past F4 the code was not enough to make a difference in real life. IMHO
YMMV
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