Bill Pierce
Well-known
If I don’t think I’ll be taking any pictures, I carry one small camera with me anyway. When I’m photographing on the street or in other situations where I don’t want to attract attention, I carry one small camera. Outside of that I’m definitely in the “more than one” school of camera carrying.
I’m scared of getting dust on camera sensors and having to remove the dust spot on every frame of a digital take; so, I don’t like to change lenses in situations where I can’t do it carefully, slowly and usually with an air blower at my disposal. Therefore, multiple bodies are certainly understandable, especially when using fixed focal length lenses for their speed and smaller size, but I see folks, including myself, using multiple zoom lenses in situations like sports, public meetings and theatre where you work from a fixed position.
While dealing with that old devil, Dust, is an unpleasant necessity, but there are other obvious advantages to using multiple bodies. Changing lenses on a single body creates downtime where you can’t shoot. And there is the worst case scenario - camera failure, never pleasant but a little less devastating if you have a back up.
I remember once, in the pre digital, film-only days, seeing Gene Smith with 6 camera bodies strapped around him - wide angle, normal and longer focal lengths with three bodies loaded with black-and-white film and three bodies with color film. That was unusual, even for Gene, but there they were - 6 identical camera bodies. I think in most cases two bodies, sometimes three, do the job. But I also know there are a lot of folks saying, “You are an idiot. Why do you need more than one camera?”
So, which camp are you in? (1) Cartier-Bresson only used one body and one lens. No one needs more than that. (Actually, he did have a wide-angle and a longer lens; he just didn’t use them much. And, I bet, he had a back up body, just in case.) (2) Freedom of choice is important to me; so, I use more than one camera.
And, of course, the really important question - if you use more than one camera, how do you carry them?
I’m scared of getting dust on camera sensors and having to remove the dust spot on every frame of a digital take; so, I don’t like to change lenses in situations where I can’t do it carefully, slowly and usually with an air blower at my disposal. Therefore, multiple bodies are certainly understandable, especially when using fixed focal length lenses for their speed and smaller size, but I see folks, including myself, using multiple zoom lenses in situations like sports, public meetings and theatre where you work from a fixed position.
While dealing with that old devil, Dust, is an unpleasant necessity, but there are other obvious advantages to using multiple bodies. Changing lenses on a single body creates downtime where you can’t shoot. And there is the worst case scenario - camera failure, never pleasant but a little less devastating if you have a back up.
I remember once, in the pre digital, film-only days, seeing Gene Smith with 6 camera bodies strapped around him - wide angle, normal and longer focal lengths with three bodies loaded with black-and-white film and three bodies with color film. That was unusual, even for Gene, but there they were - 6 identical camera bodies. I think in most cases two bodies, sometimes three, do the job. But I also know there are a lot of folks saying, “You are an idiot. Why do you need more than one camera?”
So, which camp are you in? (1) Cartier-Bresson only used one body and one lens. No one needs more than that. (Actually, he did have a wide-angle and a longer lens; he just didn’t use them much. And, I bet, he had a back up body, just in case.) (2) Freedom of choice is important to me; so, I use more than one camera.
And, of course, the really important question - if you use more than one camera, how do you carry them?