Post Film Images Here

[Derek Leath]

Ernest_Trova Leica M4
by
Derek Leath,
on Flickr

 

[B.Toews]

M7, 135/4, Tri-X:


Untitled by Brendan | Toews, on Flickr


Untitled by Brendan | Toews, on Flickr

 

[Hans Berkhout]

Datura by hans p berkhout, on Flickr

Leica M3 Summicron DR 50/2.0

 

[jbhthescots]

http://[url=https://flic.kr/p/2mAjyuh]Frodrik's Hands by John Henderson[/url], on Flickr

Leica M2, 2/35mm Summicron pre-asph v3, Kentmere 100, ID-11

 

[markjwyatt]

Old and New, Seattle
Kodak Retina IIIc, Rodenstock 50mm f2 Heligon, FP4+, Rodinal 1:50


Old and New by Mark Wyatt, on Flickr

 

[Coldkennels]

Bleeding Light by Tony Gale, on Flickr

Voigtlander 15/4.5 on a Leica IIIf and Fomapan 400 in ID-11. Not sure what caused the "glow" - the lens is totally clear with no haze, so I can only assume it was the film! - but I'll take it.

 

[Nokton48]

47mm F8 F32 4x5 Norma HP5 by Nokton48, on Flickr

My widest LF lens, the chrome 47mm F8 Super Angulon in Compur shutter. Mounted on an original Sinar Norma Recessed Lensboard. Tim Kelly lighting, extreme close-up, lens less than a foot away from my test target. Three Broncolor Pulso C171 Monolights plus fill panel, HP5+ 4x5 (in Linhof Plate Holder) D:23 1;1 in 8x10 Unicolor Unidrum and Uniroller. 8x10 4X print Arista #2 RC Multigrade dev Omega DII laser aligned 180 black Rodagon Omegalite Diffusion Head

In close up mode this lens -almost- covers 4x5. You can see that in the four corners of this shot

I'm going to add one more thing, a Broncolor Strip Light (30cmx110cm) up high and behind pointed down. Soft light to rim the subject and provide separation from the background. That will be the icing on the cake.

 

[Nokton48]

520mm 20 inch Apo Ronar Pair 4x5 HP5 D23 F32 one pop by Nokton48, on Flickr

Testing my new 5x7/4x5 Sinar Norma Twin Lens Reflex with my longest matching lens pair set/ 520mm 20" F9 Rodenstock Apo Ronars. These are 45 degree Dialyte process type lenses offered by Sinar Norma in the day. F32 one pop YG Sinar Norma 103mm glass yelow green filter D23 1:1 Unicolor Unidrum and Uniroller. 4X 8x10 Aristo #2 RC print developed in Multigrade dev. Omega DII with Omegalite diffusion head

I'm going to add one more thing, a Broncolor Strip Light (30cmx110cm) up high and behind pointed down. Soft light to rim the subject and provide separation from the background. That will be the icing on the cake

 

[Dayrell bishop]

 

[DwF]

Leica M4 Kentmere 100
by
Derek Leath,
on Flickr

Derek, I like this one! Using it as an example though, I have been curious about Kenmere film and your post here might be a go-to for me to develop it (or other) film I shoot based on what you or others here do that appeals. Since the upgrade I found myself reading the head-bartender's Initial Post for the thread where he asked for Film and Developer to be included. I notice many nice posts even on this page where that info is absent.

So to everyone, not to be a pain in the arse but, I echo Stephen's charge with this thread to include that (Film, Developer, Dilution and Time) info as it is instructive.

Great thread, several on this current page.....David

 

[peterm1]

I am not sure if these have been posted here before. They were taken on a trip around parts of the South Pacific in the late 1980's early 1990's on a sailing ship "The Eye of the Wind". The images were shot with a Pentax camera (I cannot recall which model) and a zoom lens (ditto) on Fuji color slide film (I know this as I used it pretty much exclusively back then). When digitized they were converted to black and white. All of the following images were shot on various islands in the Louisiade Archipeligo - to the east of Papua New Guinea.

Eye of the Wind - Marshall Bennett Islands - New Guinea_2 by Life in Shadows, on Flickr

Life in Shadows Eye of the Wind - Marshall Bennett - Laughlan Islands - New Guinea_6 by Life in Shadows, on Flickr

Eye of the Wind - Marshall Bennett - Laughlan Islands - New Guinea_4 by Life in Shadows, on Flickr

Eye of the Wind - Marshall Bennett - Laughlan Islands - New Guinea_3 by Life in Shadows, on Flickr

 

[helen.HH]

I love this first one (Red coat Green Hat) but also enjoy seeing you in color Helen. I'm guessing color because it was taken with Eric's camera?

Thank YOU David~
Yes,love the photo of Eric too.
Eric took that photo of me, with the 35 pre asph lux. Color we both hardly ever used.

btw, Adore the mood of your color photos above

 

[helen.HH]

Love that "magnetic" portrait of Eric! And both th e portraits of Eric and yourself Helen, great mood.

Cheers and Lovely of You Robert !
Thanks Much ~

 

[Derek Leath]

Derek, I like this one! Using it as an example though, I have been curious about Kenmere film and your post here might be a go-to for me to develop it (or other) film I shoot based on what you or others here do that appeals. Since the upgrade I found myself reading the head-bartender's Initial Post for the thread where he asked for Film and Developer to be included. I notice many nice posts even on this page where that info is absent.

So to everyone, not to be a pain in the arse but, I echo Stephen's charge with this thread to include that (Film, Developer, Dilution and Time) info as it is instructive.

Great thread, several on this current page.....David

Hey David.
I use Adox Rodinal for most everything. I think this was 7ml to 500ml for 8 mins at 68F

 

[Derek Leath]

Adox Rodinal 7ml to 500ml for 8 mins at 68F
Man_Hole
by
Derek Leath,
on Flickr

 

[DwF]

Thanks for that Derek. And now I feel like the Dev-Nazi asking everyone to include all that info. I suppose we can always ask for specifics when we want it. I had just read Stephen's request in opening post and thought maybe good to refresh that. And I was curious.

I use the same as you mostly. I always liked Rodinal and still find it works great. If I'm smart, I will limit myself to a couple films (Iford is always good) and fine-tune what I do in the tank. 1:50 seems to work for me and it's quicker than 1:100 😛 getting my times better zoned in is what I need to do. I may also try Stand Development sometime with a roll or two in spite of the hour long commitment.

David

 

[AndersG]

Centralstationen, Göteborg, Sweden, May 2021.
Canon 7, Canon 50mm/1.4, Kodak Tri-X 400TX at 1/250 and f/8.
Developed in R09 1 + 50 for 14 minutes. Initial 60 sec of inversions + 2 every 2nd minute.
Scanned with my Canon EOS 30D.

 

[Derek Leath]

Thanks for that Derek. And now I feel like the Dev-Nazi asking everyone to include all that info. I suppose we can always ask for specifics when we want it. I had just read Stephen's request in opening post and thought maybe good to refresh that. And I was curious.

I use the same as you mostly. I always liked Rodinal and still find it works great. If I'm smart, I will limit myself to a couple films (Iford is always good) and fine-tune what I do in the tank. 1:50 seems to work for me and it's quicker than 1:100 😛 getting my times better zoned in is what I need to do. I may also try Stand Development sometime with a roll or two in spite of the hour long commitment.

David

I have used stand Dev several times, always works but of course takes longer. I find semi stand works better for me. Ever try caffenol? you might like that as well.

 

[DwF]

Thanks for that Derek, I might try caffenol too, I have seen some nice results with it. d

 

[Derek Leath]

Leica M4
by
Derek Leath,
on Flickr
Adox Rodinal 7ml to 500ml for 8 mins at 68F Kentmere 100 at 100