Shock! A digital SLR! It's an Olympus...?!

Mystyler

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Hi everyone,
The following was put together by me, if for no other reason than to encourage others to just go out and take photos no matter what equipment they have and maybe to restore some balance to the force that is the internet. :angel:

I'm sure everyone who keeps up with DSLRs has read about how rubbish the Olympus E-System is supposed to be at taking action shots. I decided to put this to the test, armed with my E-5 at a night tennis match (under lights, funnily enough) featuring Ana Ivanovic, Mens' World No. 1 Novak Djokovic, Fernando Verdasco and Anabel Medina Garrigues. A pretty demanding sort of test, if not strictly scientific.

When reading, please keep in mind my goal - to show that even an average hack with an "if you're not in it, you can't win it" attitude can walk away with decent shots from what is regarded as (and I hate to use this phrase because it isn't) a sub-par DSLR. I am not here to say it is better than a 5D, 7D, D300, D7000, D4, etc...however, I am very happy to say the E-5 comfortably outstripped my ability as a sports photographer and therefore would probably do the same for most people who don't own a $5000-$6000 1Dx/D4 body (or D3, whatever) for work purposes. Arguing over such things is pointless, just get out there and do it. 😉 I am extremely pleased with what I achieved on my second ever outing of taking such photos.

And of course, the E-5 is certainly NOT without its faults.

The following is my "review", for lack of a better word. A direct copy and paste from Flickr:

After hearing for years about how bad the E-System is supposedly at sports photography in low light, I thought I'd go out there and attempt it, rather than succumb to the seemingly endless moaning and groaning there is about it on the internet.

My background: I like my gear, I like taking photos. Something like a 60/40 split. I have never shot professionally and the photos I take are usually always for myself. I am a perfectionist (it isn't that fun) in life generally and that extends to my photos. As such I am always looking for the "perfect" photo, but I am yet to take it. I have really only been "serious" about photography as a past-time it in the last twelve months or so, but have been dabbling in it for at least 8 years, and have been fascinated by cameras for as long as I can remember.

My first crack at "sports" photography was at the same event last year, the 2012 Hopman Cup XXIV. I took along my E-5 and 12-60mm SWD, after a toss up between that and my 50-200mm Mk I. I thought I'd have the required focal lengths covered with an equivalent view of a 24-120mm and that the SWD would be perfect for fast, action shots. It didn't turn out too well. Turns out anything past f4 was quite limiting, and the noise from ISO 2500+ didn't sit with me well. The SWD worked very well, however.

This year, I was a bit more prepared. The kit I took with me was 2x 4GB CF, a spare battery, my E-5 and HLD-4 coupled to the 35-100mm and an EX-25 "just in case". I had really wanted the 150mm f2, but of course, I can't afford everything I want! One immediate plus for Olympus users here - a lot of venues won't let you take in telephoto lenses with a focal length of greater than 200mm. My 50-200mm would therefore get in, but the equivalent lens from other manufacturers (100-400mm) will have you stopped at the door. I'm hoping to go back again next year and walk straight in with a nice, new 150mm f2, but we'll see!! At least on this system it is possible to take in lenses you couldn't with other systems. Monopods and tripods are also on the prohibited list for us punters.

I used ESP metering and I estimated an ISO of 800 should do the trick, and decided to try my luck in Aperture Priority mode - set at f2. This way I figured I'd get the fastest shutter speed possible and still get decently exposed photos, the mistake I made last year was shooting either full Manual or Shutter Priority with Auto ISO with a lens that "only" went to f4 at the telephoto end. I started out shooting in JPEG LSF+RAW, but this started to eat through the memory so I just went straight into JPEG LSF. As the night worn on, I ended up bumping up the amber in the white balance (Sun+CWB) as the lights took more effect. Seemed to work. All photos you see here on Flickr are SOOC JPEG, hand held with I.S. 1.

Make no mistake, this is quite a heavy setup. My arms did start getting tired by the end of the night, but seeing as it started at around 1830 local and went on through until around 0130, it was less of an issue than I was expecting. A monopod would certainly had made the night easier.

An aperture of f2 is extremely challenging to use in such a circumstance, I figure the depth of field for the distance I was would have been would be +/- 2.5m, or giving me about 5m to play with to get the players in "acceptable" focus. Now this is what you are probably all waiting to hear about - the E-5's autofocus performance. No way was I even going to attempt to manual focus this, I'm good enough on my OM-1n for day to day shots, but this is too fast for me. Perhaps with practice, but AF was the order of the day. I tried initially with C-AFMF, biased towards the centre point, with the four surrounding it (think + pattern) as secondary, but the E-5 had a tendency to confuse the subject with the background. It would follow the subject, then pack it in and give me a wonderfully crisp background. So I reverted to S-AF for the rest of the night, biased to centre point.

This ensured better performance, but sometimes gave an annoying tendency to "pulse" the lens. Now let it be said - the issue with Olympus' autofocus is not the speed. It is the accuracy. The 35-100mm was more than up to the job speed wise, it just missed the mark a few times. I'm sure the fact you can set focal ranges (1.4m-infinity, 1.4m-3m and 3m-infinity) helps.

Having never used an EM-5 in anger, I can only go by what you and others have said of its autofocus capabilities. Likewise for the recent crop of APS-C and 35mm Equivalent DSLRs. However, if Olympus could give us EM-5 autofocus performance in a DSLR body, they would be onto an unbelievably capable camera, especially with one of those flash, new Sony sensors. As it stands, I really don't believe that my E-5 lets me down in the IQ department. Yes, noise becomes an issue with an "old" sensor beyond ISO 1600, but I didn't need to go past ISO 800 for this assignment. I guessed it, set it, left it. Love the results.

My skill improved as the night went on, and I eventually left the zoom jammed hard up against the 100mm mark. I pretty much ended up forgetting about the EX-25, but I think it would have initially eclipsed my skill in framing the players anyway. Certainly a go for next time, if not the 150mm. 😉

In summary, the E-5 is still a fantastic, incredibly capable camera. The only thing I would change is autofocus accuracy. You can see the results in this 78 shot set:

http://www.flickr.com/photos/e-system/sets/72157632456373363/

If you don't have time (and have yet somehow read this far!) here are four of my favourites:


Anabel Medina Garrigues by Mystyler13, on Flickr


Ana Ivanovic by Mystyler13, on Flickr


Fernando Verdasco by Mystyler13, on Flickr


Novak Djokovic by Mystyler13, on Flickr


Of course, comments are criticism are welcome. I have also no doubt I have made many terminology errors, that will be picked up on shortly. I expect nothing less from the internet. At very least, I hope this will be informative and inspire others with E-System cameras to give sports photography a go, nay-sayers be damned.
 
Great summary, thanks for writing this all up. I hate to say but seems evident by the meager response here that there are not many olympus dslr users here!

Good cameras, and it sounds like you've got some great lenses to go with them. Never been anything wrong with their pro lineup. Should be interesting to see what Olympus cooks up in the form of a converter from 4/3 to m43. In which case, all of their mid-range and premium 4/3 lenses, currently a decent bargain, will suddenly look a lot more attractive!

I still use my e510 as my only digital, and keep telling myself that 10mp is plenty!
 
Throughout my use of DSLRs, it always comes back to Olympus 4/3

Throughout my use of DSLRs, it always comes back to Olympus 4/3

My first DSLR was reasonably new... the E300 kit with two lenses. Second came the E-1 with the 14-54.

I was drawn to Olympus because of their penchant for innovation... with cameras like the OM series and the XA series. I shot the PEN half frames for a while. If I recall correctly, the E-1 preceded the E300.

I anticipated I would find that innovation continuing on in their digital offerings, and while people were blasting the early E series, I was happily clicking away. I have owned most of the E series xxx bodies and lenses and some upgrage lenses, but I still keep an E-1 for the incredible color from the Kodak Sensors. Amazing what you can still do with 5Mp and a superior sensor.

The PEN series was another level of innovation, and when I found out that the E-PL1 innovation was a weaker AA filter (which has continued into the OM-D, EM5), producing very usable SHARP Jpegs, I leapt on board the PEN train.

That continuing innovation earned the EM5, Dpreviews "Camera of the year" designation, followed by either a Canon or a Nikon. I don't recall, nor do I care which came in second.

Now, over the years from that first E-300, I have acquired Canon, both APSc and Full Frame, and Nikons (D80, D200, D60), but yet still end up choosing to shoot Olympus 4/3 and micro 4/3.

Would love to have an EM5, but budget dictates the new PEN E-PL5 with that new SONY 16Mp sensor and the newest processing engine.

Thank you for your testing, review, and endorsement of the E-5 as a worthy competitor to other DSLR's. Well done.

And while it remains to be seen if Olympus will follow that act with at least one more full DSLR with the new sensor, (rumors abound) their continued innovation will produce something to carry your interests beyond the E5.

The talk is tenuous on a full sized replacement for the E5, and is somewhat buffered by the rumors of a Pro level OM-D EM(X).

Good post. Thanks.
 
Good cameras, and it sounds like you've got some great lenses to go with them. Never been anything wrong with their pro lineup. Should be interesting to see what Olympus cooks up in the form of a converter from 4/3 to m43. In which case, all of their mid-range and premium 4/3 lenses, currently a decent bargain, will suddenly look a lot more attractive!

Your term convertors, I suspect goes beyond the conventional adaptors now used to mount the 4/3 lenses to the micro 4/3 mount. Those have been around almost since the Micro 4/3 mount came out.

The problem has been that Micro 4/3 simply has not been able to push the bigger mount lenses to focus at high speed, and in some cases not even acceptable speed. Some conjecture is that the components of the HG and SHG lenses are simply too big for the fast focus, and it also appears to be mixed up somehow in the change to "phase detection" focus about the same time Micro came out.

Since I "un-invested" myself largely from Olympus HG glass in anticipation of the PEN, I will work with the micro 4/3 mounts. Those who have a lot of money tied up in 4/3 HG/SHG lenses would certainly hope for another large DSLR methinks.

I'm not following this closely, as between Panasonic and Olympus m4/3 mounts being the same, for the most part, there seems to be a growing map of high quality m4/3 mounts that fit cross platform. Panny/Oly are not 100% cross compatible, but the effort is there. The growth in primes for both cameras is also fairly large.

In any event, it looks to me like Olympus would certainly consider one more big DSLR for the people invested in 4/3 HG and super HG lenses, or work out the dilemma with the focus speed issues. Perhaps both. But now that the EM5 is weather sealed and has the 5 axis IBIS, if the rumored EM5 Professional model does resolve the use of 4/3 HG/SHG glass on a new camera, it would not surprise me to see Olympus drop further development on the bigger 4/3 mount DSLR.

Again, Olympus has "irons in the fire". and it remains to see how many come out of the fire as working tools.
 
Yes, the Olympus E-5 is a very fine camera. A fully professional grade piece of equipment. The Olympus HG and SHG Zuiko Digital Lenses are superb, amongst the best in the industry. When I was operating my photo business, I moved to that camera, having worked with FourThirds and Micro-FourThirds cameras for several years, as soon as it became available for its super responsiveness, excellent sensitivity, remarkable resolution, and highly configurable capabilities. It is a great piece and perfectly suited for sports, nature, event, wildlife, etc work.

After I closed the business, though, and went back to my own work, I found it to be just a bit more than I wanted or needed. I sold it and kept the E-1 model, and use it mostly with the Olympus ZD 35 Macro and Nikkor 85 lenses (I have a couple others as well). I prefer SLRs for the longer focal lengths, generally, and obviously they're better for macro and close up work than RF and scale focus cameras. The E-1 is smaller, lighter, simpler, and I find that with macro and tele work its 5Mpixel resolution is enough to produce superb photos. The E-1 is also a tour de force by Olympus ... Probably the best designed professional SLR ever made from the point of view of ergonomics, noise, and ease of use. Like the Leica M, it disappears — becomes completely transparent to me in use.

All tools have their purposes. 🙂

G
 
+1 regarding the E1. I've used the E1, E3 and E5. Currently selling the E3 (not here and not an advert) and sold the E5 some time ago. Just don't need DSLRs much these days and for what I do the E1 is perfect.
 
Hi everyone! Wow, this thread ended up taking off. 😉

I've always thought the deeper DOF inherent to 4/3 cameras due to shorter focal lengths for the same field of view made them ideal for sports and wildlife.

Not to forget macro. I wish I had the presence of mind to check whether I.S. was on before I saw what was going on in my garden, could have stopped down a bit more. But things like this happen fast!


Yes? by Mystyler13, on Flickr

The 50mm is stunning and from all reports, the 35mm is equal to if not better than the 50mm for use as a dedicated macro. Not to mention, the 35mm is dirt cheap new. I'll get around to owning one eventually, but the 50mm is all I need for now especially seeing as this is all just for fun.

Great summary, thanks for writing this all up. I hate to say but seems evident by the meager response here that there are not many olympus dslr users here!

Good cameras, and it sounds like you've got some great lenses to go with them. Never been anything wrong with their pro lineup. Should be interesting to see what Olympus cooks up in the form of a converter from 4/3 to m43. In which case, all of their mid-range and premium 4/3 lenses, currently a decent bargain, will suddenly look a lot more attractive!

I still use my e510 as my only digital, and keep telling myself that 10mp is plenty!

Thank you, Noll. I must say that I didn't expect any responses at all, I know Oly DSLR shooters are in the minority and that is mainly an RF board. However, I thought I'd put it out there on the internet if for no other purpose than to show what can be achieved if you just try. I do think the decent shots I got can be credited to the camera and less so to my skill.

I thought about using my dpreview account to post this over there, but I suspected it would have been akin to fighting a fire-storm with nothing more than a bucket of water.

As for your E-510...I still use my E-500 from time to time and while I must admit it has a tiny view finder, I have come to the conclusion that the lovely little 8MP Kodak sensor is plenty. 😉

My first DSLR was reasonably new... the E300 kit with two lenses. Second came the E-1 with the 14-54.

I was drawn to Olympus because of their penchant for innovation... with cameras like the OM series and the XA series. I shot the PEN half frames for a while. If I recall correctly, the E-1 preceded the E300.

...

Good post. Thanks.

Happy you enjoyed it kuzano. I too ended up with an Olympus as my first DSLR. I did, literally, a few months of research as to which camera would be right for me, with no brand allegiance. Turns out the E-1 fitted the bill, but I could no way afford it at the time so the E-500 twin lens kit was the order of the day. I still have both the body and the lenses and I just can't part with them. Olympus kit lenses really are decent and I stuck with just those lenses for a long time.

Olympus' penchant for innovation and superior build quality always impressed me too, which is why I stuck with the E-System. I know many people don't like the fact that Olympus is concentrating on m4/3 and that they seem to have "forgotten" about 4/3 users, but I find it very refreshing that they are not releasing a new pro or pro-sumer DSLR every 12-18 months. In fact, I was going to stick with my E-500 but I thought that the financial troubles facing Olympus might send their camera division under and decided that I only live once and might as well give my lenses the top body to go with. Turns out I was wrong about Olympus' camera division with the EM-5 appearing only three months later and my goodness how they have turned themselves around. Would love an EM-5, but with a pretty complete E-System (how many people own an FS-STRF11 just for fun?!), that I can't really justify. 😉

I'm really looking forward to whatever the rumoured E-M5 Pro or E-7 is. Knowing Olympus, the solution to the problem of 4/3 lenses not focussing as fast as they should on m4/3 bodies will be something out of left field. I've seen the patent, read the rumours on the internet - maybe a two-in-one mount? Who knows? I've seen some FSU cameras with just such a thing...

Yes, the Olympus E-5 is a very fine camera. A fully professional grade piece of equipment. The Olympus HG and SHG Zuiko Digital Lenses are superb, amongst the best in the industry.

...

All tools have their purposes. 🙂

G

And those are exactly my thoughts, Godfrey. I would not go and tell someone they should have bought an E-5 when their D7000 probably suits their needs perfectly. I just get a bit fed up from time to time with Olympus seemingly being the whipping boy for no apparent reason? I am very aware that anything other than the latest PEN and OM-D cameras from Olympus suffer from noise at high ISO levels, but I did a bit of club photography as a favour over the weekend, which unexpectedly turned into my first ever paid photography "job". 😱 I'm new to PS and the fun you can have with it, but software correction (PSE 11 and Topaz DeNoise 5) helps take the sting out of shooting at high ISOs.


Progress Inn @ 8o8 V by Mystyler13, on Flickr

Again, I'm new to PS, so perhaps this is a bit over-processed and has started to loose a bit of detail. However, the guys I did the shoot for are happy with the result so considering this was another "first" for me, I'm also pretty happy!

I'm not following this closely, as between Panasonic and Olympus m4/3 mounts being the same, for the most part, there seems to be a growing map of high quality m4/3 mounts that fit cross platform. Panny/Oly are not 100% cross compatible, but the effort is there. The growth in primes for both cameras is also fairly large.

I know that Sigma has just recently jumped in with some m4/3 glass and Cosina has been making some crazy f0.95 Voigtlander Nokton branded lenses in m4/3 mount for a little while now. 🙂


Finally to TXForester, mervynyan and Gid, I'm glad you enjoy using your Olympus gear. It is good to hear some positive feedback for a nice change. The E-1 always seems to be lauded for its quiet operation, beautiful ergonomics and great image quality. I'd love to get my hands on one, someday.
 
Not everything is 'high ISO' ... Photographers did an awful lot of great photography in awful light even when ISO 200 was considered extremely fast film. Whether that aesthetic would fly today commercially is a question mark, but I know that I still tend to consider ISO 1000 pretty darn high, and worked properly the E-5 produced clean results for me easily up to ISO 3200 without using anything but Lightroom's adjustment tools. 🙂

The key, of course, is always vision. Learning how to see what the camera sees and use that, exploit that, to its limits, no matter what they are, is a matter of much more than just specs and settings.

But I'm probably preaching to the choir...

G
 
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