mjaphoto
Newbie
(my first post on rfforum, yippee)
April in Paris - part I, April in Paris - part II
Tell me what you think ...
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Mikko
mikkoaaltonen.com
April in Paris - part I, April in Paris - part II
Tell me what you think ...
--
Mikko
mikkoaaltonen.com
filmfan
Well-known
You have some really good photos in those albums. Excellent work.
leica M2 fan
Veteran
I'm very impressed with your images in these galleries you provided. What strikes me is that they are so natural, no posing or contrivances. Excellent work.
sevres_babylone
Veteran
I hope there will be many more posts to come. I enjoyed your galleries to which you linked.
furcafe
Veteran
Some nice images & you've done a good job w/the B&W conversions, which I normally don't like. 1 minor observation/criticism: many of the shots look like they were taken from a distance, which in street/street-style photography can give a more clinical impression (physical distance = emotional distance).
I like your concert & music photos, BTW. Is that your main job?
I like your concert & music photos, BTW. Is that your main job?
hlockwood
Well-known
(my first post on rfforum, yippee)
April in Paris - part I, April in Paris - part II
Tell me what you think ...
--
Mikko
mikkoaaltonen.com
Great stuff, Mikko. Thanks.
Harry
boklm
Established
Very nice pictures !
Also, good B&W conversion. I usually don't like so much the look of digital B&W pictures, but this is not the case here.
Also, good B&W conversion. I usually don't like so much the look of digital B&W pictures, but this is not the case here.
Ben Z
Veteran
Mikko, I have a technical question: in your shot through the archway in the Metro, where everything is b&w except the seats...how do you do that?
In my RFF Gallery I have a couple of street shots from Paris, the one with the young lovers kissing, I've wanted to turn everything b&w except her red shoe...but nothing I tried worked out. Thanks. (PS, Paris is my favorite place for street photography...despite the intimidating feeling like I'm walking in the footsteps of Bresson, Doisneau, Ronis and others.
In my RFF Gallery I have a couple of street shots from Paris, the one with the young lovers kissing, I've wanted to turn everything b&w except her red shoe...but nothing I tried worked out. Thanks. (PS, Paris is my favorite place for street photography...despite the intimidating feeling like I'm walking in the footsteps of Bresson, Doisneau, Ronis and others.
Cron
Well-known
some nice pics to see, I enjoyed it!
Tracnac
Established
Bravo d'un parisien.
Yvan.
Yvan.
mknawabi
photographeur
good stuff
bwcolor
Veteran
Great eye...hope to see more in the future...thanks..
lemalk
Rebel Without Applause
Good work. Just added to my Google reader to keep up with your latest work.
Best,
Ivan
Best,
Ivan
steelduck
Member
I liked them a lot...
yanidel
Well-known
I agree with that. Parisians are not that mean1 minor observation/criticism: many of the shots look like they were taken from a distance, which in street/street-style photography can give a more clinical impression (physical distance = emotional distance).
I particularly like the "Le clan des divorcées" shot. Very funny !
Rob-F
Likes Leicas
Great shots, Mikko. A good workout for the M9!
BTW, have they fixed that bent-over pole on the corner outside of Aux Tours de Notre Dame yet?
BTW, have they fixed that bent-over pole on the corner outside of Aux Tours de Notre Dame yet?
fotomeow
name under my name
fun set of pics you have here: exactly what RFs are made for--> quick snappies on the go in public places, subways, streets, eateries.
yes, the focussing takes a little time to get down just right, but once you have it, its golden. I love how you ditched the big SLR and jumped right into the top-o-the-line M9!
and which versions of the 35/50/90 did you use?
yes, the focussing takes a little time to get down just right, but once you have it, its golden. I love how you ditched the big SLR and jumped right into the top-o-the-line M9!
and which versions of the 35/50/90 did you use?
mjaphoto
Newbie
Thanks for all the comments and critiques!
Yes, many were shot from a distance and for a simple reason; I was continuously on the wrong side of the street, stuck behind a crowd or just too far away when I saw something interesting. I just shot what I could, but I was also intentionally trying be as discreet as possible so maybe you're right about that. Perhaps next time I'll try a different approach since I have the utmost respect for photographers who are good at engaging with their subjects.
1 minor observation/criticism: many of the shots look like they were taken from a distance, which in street/street-style photography can give a more clinical impression (physical distance = emotional distance).
I agree with that. Parisians are not that mean , many pictures suggest you tried to avoid direct contact.
Yes, many were shot from a distance and for a simple reason; I was continuously on the wrong side of the street, stuck behind a crowd or just too far away when I saw something interesting. I just shot what I could, but I was also intentionally trying be as discreet as possible so maybe you're right about that. Perhaps next time I'll try a different approach since I have the utmost respect for photographers who are good at engaging with their subjects.
Thanks. And no that's not my main job, concert photography is just a by-product of my interest in live music.I like your concert & music photos, BTW. Is that your main job?
The 35 and 50 are CV Noktons (f1.2 and f1.5) and the 90mm is the later f2.8 Elmarit-M.and which versions of the 35/50/90 did you use?
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