Robin Harrison
aka Harrison Cronbi
Was looking at the 'Black + White Photographer of the Year' entry requirements here:
http://www.bpoty.com/#/entry-requirements/4549023936
And they state: "IF WORKING DIGITALLY YOU MUST SHOOT RAW FILES AS
THE WINNING ENTRIES WILL BE PRINTED LARGE SCALE."
Now...I shoot raw over jpeg in every camera where I have that option. The benefits of raw files are well documented, especially with regards to dynamic range and exposure recovery. But there is no reason a well exposed jpeg of high quality should automatically be considered inferior to a raw exposure when viewing large prints.
How do they plan to enforce this? They ask for jpeg (first round) and tiff (shortlist) submissions.
I've heard of documentary/press awards requiring raw files in order to eliminate the possibility of excessive manipulation, but in what is essentially a fine art competition, this requirement is very strange. The requirement should be 'images of a high quality capable of being reproduced to a moderate size'. If any image fails to meet that requirement (based on visual, subjective judgement), then by all means exclude it.
Ever seen a competition stating:
IF WORKING WITH FILM YOU MUST SHOOT LOW SPEED LARGE FORMAT, AS THE WINNING ENTRIES WILL BE PRINTED LARGE SCALE
???
http://www.bpoty.com/#/entry-requirements/4549023936
And they state: "IF WORKING DIGITALLY YOU MUST SHOOT RAW FILES AS
THE WINNING ENTRIES WILL BE PRINTED LARGE SCALE."
Now...I shoot raw over jpeg in every camera where I have that option. The benefits of raw files are well documented, especially with regards to dynamic range and exposure recovery. But there is no reason a well exposed jpeg of high quality should automatically be considered inferior to a raw exposure when viewing large prints.
How do they plan to enforce this? They ask for jpeg (first round) and tiff (shortlist) submissions.
I've heard of documentary/press awards requiring raw files in order to eliminate the possibility of excessive manipulation, but in what is essentially a fine art competition, this requirement is very strange. The requirement should be 'images of a high quality capable of being reproduced to a moderate size'. If any image fails to meet that requirement (based on visual, subjective judgement), then by all means exclude it.
Ever seen a competition stating:
IF WORKING WITH FILM YOU MUST SHOOT LOW SPEED LARGE FORMAT, AS THE WINNING ENTRIES WILL BE PRINTED LARGE SCALE
???
NickTrop
Veteran
It simply shows that whoever made this requirement is an idiot.
kully
Happy Snapper
That magazine contains more and more errors and weird sentences with each passing month. I've cancelled my subscription, a shame as I used to look forward to each issue and some articles are still very good.
jwc57
Well-known
I'm an idiot. Even if I set a camera (Canon) to shoot monochrome, when I bring up the image in my Adobe raw converter, it comes up as a color image.
Is there a way to shoot in B&W (digital) and only get B&W?
(I'm usually one of those that shoots digital for color and only occasionally uses it for B&W, so I'm probably missing something...like a better understanding of digital B&W).
Is there a way to shoot in B&W (digital) and only get B&W?
(I'm usually one of those that shoots digital for color and only occasionally uses it for B&W, so I'm probably missing something...like a better understanding of digital B&W).
jwc57
Well-known
Thanks...I admit the contest rules confused me.
When I want B&W (digital) I usually shoot Raw + Jpeg. I see can't see why the contest would require Raw files when, in my case, they would be color, not B&W.
When I want B&W (digital) I usually shoot Raw + Jpeg. I see can't see why the contest would require Raw files when, in my case, they would be color, not B&W.
d_ross
Registered User
Isn't every digital capture actually B&W that is then converted by the camera to a color image?
kully
Happy Snapper
It wouldn't be the raw file that gets printed, nor would it be of much use to them - it's a B&W photography magazine.
Elektrojänis
Established
I'd say thats just as much true for colour films too... They are just called layers instead of channels.
So... Everythings colour exept B&W film and some rare digital bodies (didn't fuji make some at some point?). Oh... Some surveillance video cameras might be really B&W too.
tlitody
Well-known
What if your P&S only outputs jpegs. Does that mean you can only enter if you have an expensive camera?
Robin Harrison
aka Harrison Cronbi
I'm beginning to feel the same, Kully. I used to savour my B&W mags. I'd take them to coffee shops at the weekend and spend hours reading them. And I'd rush through them, but had a quirk whereby I'd always leave one article unread until the next month's copy arrive, so there was always a bit of unread B&W!
Nowadays, I have four, five months of magazines waiting to be read, and I didn't even phone to complain when one copy didn't arrive. I agree the standards are slipping. Some articles have left me completely clueless as to what they were attempting to communicate. Add to that the barrage of 90+% reviews of any old digicam and you're left with a very average magazine.
Robin Harrison
aka Harrison Cronbi
I hadn't though of that, tiltody. Those photographers just starting out - looking to discover their craft, only able or willing to buy an entry level camera - are just the sort of entrant they should be trying to inspire to apply for these competitions.
JohnnyT
Established
Greasy joke!
You can output anything in Photoshop as DNG ...
Hahaha...
Photog = 1
Stupid Mag = 0
You can output anything in Photoshop as DNG ...
Hahaha...
Photog = 1
Stupid Mag = 0
kully
Happy Snapper
Bloody hell, I used to do exactly the same thing!
Roger Hicks
Veteran
Yes, well...
Frances used to write for B+W, but lately, they have not been keen on anything she proposed (she shoots only film in B+W, and wet prints it). In a conversation with the editor a few days ago, she was told, "The magazine is doing better than it has ever done. Our readers want digital, and we have to follow our readership."
Cheers,
R.
Frances used to write for B+W, but lately, they have not been keen on anything she proposed (she shoots only film in B+W, and wet prints it). In a conversation with the editor a few days ago, she was told, "The magazine is doing better than it has ever done. Our readers want digital, and we have to follow our readership."
Cheers,
R.
nonot
Well-known
Sounds like a pretty lame set of rules, but after picking up my first copy (bruce gilden, feb 11) not too long ago - those rules seem on par with the content.
NickTrop
Veteran
This is an illogical and photographic "elitist" requirement (typical of many/most/all "artistic" contests) to make shooting black and white digitally harder than it need be because, ya know, only "real" or "serious" photographers shoot RAW. Only amateur putzes shoot jpeg. Real/serious photographic "artists" shoot RAW and spend hours/days makong pixel-level adjustments to perfect their "vision". The reality is that these RAW putzers make adjustments/improvements to perfect their "vision" that by and large only they - in their obsessive compulsive disorder delusions, see...
...and the amatuer putzer's image shooting jpeg with the camera's built-in B&W mode is technically just as good - perhaps better, than the OCD/RAW "serious amateur" or "professional"'s "vision"...
It's this embarrassing and laughable elitism and snobbery that's oh so common in "photographic art" circles (exposed and lampooned very well in John Water's film "Pecker"...) and this form of inclusion/exclusion has naturally bled into the digital age as evident in this ridiculous "RAW" requirement. We have gear snobbery, now we have something even more ludicrous - file format snobbery!
...and the amatuer putzer's image shooting jpeg with the camera's built-in B&W mode is technically just as good - perhaps better, than the OCD/RAW "serious amateur" or "professional"'s "vision"...
It's this embarrassing and laughable elitism and snobbery that's oh so common in "photographic art" circles (exposed and lampooned very well in John Water's film "Pecker"...) and this form of inclusion/exclusion has naturally bled into the digital age as evident in this ridiculous "RAW" requirement. We have gear snobbery, now we have something even more ludicrous - file format snobbery!
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nonot
Well-known
But logically, only a "serious" photographer with "serious" gear would be positioned to win a prestigious award such as "Black and White Photographer of the Year".
Trooper
Well-known
Yes. Arizona Highways submission guidelines include the wording:
They appear to have relaxed the requirements, because I recall 4x5 being their minimum. Not saying that a .jpeg isn't capable of producing a large-sized, quality print--I know they can.
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porktaco
Well-known
lol. lightroom will copy JPG as DNG.
acheyj
Well-known
Thats only one of the many reasons I have given up on BLACK + WHITE photography magazine. I really used to look forward to it here, it was about 2 months late in OZ and was $12.50. It truly was a great publication. Its now like all the other photog mags, gear advotorials, grain the size of golf balls contrast like posters in the name of "art". Must admit tho the last copy I got from the newsstand Jan 2011 had some really good images, so maybe I'll relent.
How can they insist on raw ?. Its like asking for the neg of a print . I try always to use raw for my serious work, like a neg can always pull a different print from it. Guess I'm just too old as I believe a photograph only exists as a print on paper.
ron
How can they insist on raw ?. Its like asking for the neg of a print . I try always to use raw for my serious work, like a neg can always pull a different print from it. Guess I'm just too old as I believe a photograph only exists as a print on paper.
ron