marcr1230
Well-known
Here's what I've learned or relearned in the last couple weeks while working through my film backlog
Thoroughly dry film - up to 36 hours hanging in my basement
Pre-open negative sleeves - that and very dry negs prevent micro scratches
Neopan - nice film , thin film base, hard to get in the sleeves
Tri-X - just about perfect - accepts a lot of mistakes in exposure
Hewes reels - worth their weight in gold.
Batch modes in scanning - time saver
Dust - the enemy of all that is
Get Close - I need to get closer in my people pics
Leica MP + 35mm - sa-weet
OM4T+85mm - super sa-weet
Nikon SP - love it
Murphy - the only shots you miss or ruin processing, will be the best ones
Chicago - OM4T+85mm Zuiko, Tri-X:
Paris, Palais Royale , Leica MP+35mm Biogon, TMY:
Chicago Lakefront Fog, Leica MP+35mm Biogon, Neopan 400:
Paris, Leica MP+35mm Biogon, TMY:

LMP-11-09-003 by marc1230, on Flickr
Thoroughly dry film - up to 36 hours hanging in my basement
Pre-open negative sleeves - that and very dry negs prevent micro scratches
Neopan - nice film , thin film base, hard to get in the sleeves
Tri-X - just about perfect - accepts a lot of mistakes in exposure
Hewes reels - worth their weight in gold.
Batch modes in scanning - time saver
Dust - the enemy of all that is
Get Close - I need to get closer in my people pics
Leica MP + 35mm - sa-weet
OM4T+85mm - super sa-weet
Nikon SP - love it
Murphy - the only shots you miss or ruin processing, will be the best ones
Chicago - OM4T+85mm Zuiko, Tri-X:
Paris, Palais Royale , Leica MP+35mm Biogon, TMY:
Chicago Lakefront Fog, Leica MP+35mm Biogon, Neopan 400:
Paris, Leica MP+35mm Biogon, TMY:

LMP-11-09-003 by marc1230, on Flickr