uhoh7
Veteran
I once thought the answer to this was simple
I once thought the answer to this was simple
I once thought the answer to this was simple
However, some people with Rangefinders (especially those without Leica M3's) would be loath to use a 135mm for portraiture due to the difficulty of focussing such a lens at close distance with the inherent limitations of a rangefinder design.
The OP is a NEX user, I don't think he's too concerned with that - (moreover since focus peaking works better at large focal lengths).
It's a funny discussion, since as noted, the GXR has a 1.5x crop an hence 85s and esp 90s are well beyond a portrait FOV.
i remember some japanese commerical photographers use 300mm for studio portraits.
Actually he IS interested in that as it was his argument to that effect (that a 135mm equivalent field of view is too long for portraiture) in another thread (and difficulties with Rangefinder coupling at that length) which led directly to him creating this poll. Please, see the thread below:
http://www.rangefinderforum.com/forums/showthread.php?p=1794364#post1794364
in which he stated that a 90mm lens on a 1.5x crop camera such as the NEX is far too long to be used for portraiture:
In the light of that thread, it seems that the burning question for the OP seems to have been his disagreement with 135mm being called a "classic portrait lens".
LOL - I would say that is both a succinct and accurate summation of the situation. 🙂
Although he did actually go further and state that a 135mm (equivalent) lens is "well beyond a portrait FOV", so I would suggest the argument is not just about whether a 135mm could be called a "classic portrait lens", but whether it is usable for portraiture at all (though he may have backed down a little from that definitive a statement when he said, a little begrudgingly, later that any lens CAN be used for portraiture).
This seems to becoming about the personality of the OP on threads other than this one. The question prima facially, is about the lens used to take pictures of people. And can't we all agree that the first choice of the poll is correct when that is the definition of portraiture - pictures of people. However if you mean the old-fashioned term, then a much narrower range of focal lengths work best. The exact lens to use depends on several things. The distances involved - not only between the camera and the subject, but also between the subject and the background. The parts of the person to be photographed - tight head shots vs full length and group portraits. The style of portrait - formal with studio lighting vs grungy, punk, drunken master style. And everything in between.
One's portraiture style is a very personal decision.
I see a lot of APS-C digital shooters using an 85mm which has the same look as a 135 on 35mm film. I really like 85 for head and shoulders type studio shots, and anything between 35 to 180 for candids, depending on how tight I want to shoot and how close to my prey I am.
yeah what was i thinking when I shot this with a 28 summicron a month ago?
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I must have forgotten I thought you could only shoot portraits with a "portrait lens" of 75mm to 105mm--I should have checked in with you to clarify my preconceptions--sry.
And I guess when I read my 1955 canon lens catalog I missed the fact they were idiots for refering to 85s as their portrait lenses.
Or the old kodak manuals which term a portrait lens as 1.5- 2 times the negative diagonal.
I need to get up to speed where the term has utterly no meaning since it can refer to any lens.
you might want to also update those writing the leica copy who don't seem to realise the term now refers to any lens:
""The new 75 mm Summarit-M replaces the portrait focal lengths of 90 -100 mm for digital use"
(yes I understand the m8 is 1.3x)
I really was not trying to be nasty, but simply point out that 50s are fantastic portrait lenses on APS-C---and they are cheaper and faster too.
So now, I'm going to sulk away and play with my new 400 telyt normal lens.
BTW which 135s am I supposed to flatten my targets with on the M6?
yeah what was i thinking when I shot this with a 28 summicron a month ago?
![]()
or
![]()
I must have forgotten I thought you could only shoot portraits with a "portrait lens" of 75mm to 105mm--I should have checked in with you to clarify my preconceptions--sry.
And I guess when I read my 1955 canon lens catalog I missed the fact they were idiots for refering to 85s as their portrait lenses.
Or the old kodak manuals which term a portrait lens as 1.5- 2 times the negative diagonal.
I need to get up to speed where the term has utterly no meaning since it can refer to any lens.
you might want to also update those writing the leica copy who don't seem to realise the term now refers to any lens:
"The new 75 mm Summarit-M replaces the portrait focal lengths of 90 -100 mm for digital use"
(yes I understand the m8 is 1.3x and this is why they are pointing this out)
I really was not trying to be nasty, but simply point out that 50s are fantastic portrait lenses on APS-C---and they are cheaper and faster too.
So now, I'm going to sulk away and play with my new 400 telyt normal lens.
BTW which 135s am I supposed to flatten my targets with on the M6?
I didn't see the discussion in the other thread before it was pointed out here - my guess is that the discussion started more from the label "classic" and whether it extends to 135mm or not. I guess that's more of a question of style to begin with - maybe the "classic" portrait lenses are those that were and are used for "classic" portraits, which suggest 85mm for a torso shot, and 105-135 for a head shot (all relative to full frame).
After all these conventions all developed when photography was more formalized visually than it is now, with less grungy/punk/drunken master style works.