whats really improved your photography ?

Dave H

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Hi,

Can you pin down one thing that’s really made you think, "Wow, now I'm beginning to get somewhere". Or when you look back at your earlier work think, "hey, well I've improved, but I don’t know when it happened"

Maybe it was that new piece of kit you bought, soaking up vast amounts of technical info, studying the work of the Greats, a change of location or style, or just out and out legwork and practise.


(Or is it all going downhill?)
 
Change of location is what usually does it for me - whenever I'm abroad or even only out of town, I burn film like there is now tomorrow, and also (IMHO) get much better results than from what I shoot at home.

Roman
 
Today I deleted 58 images from my gallery, as I went through them I noticed my style has changed somewhat (hopefully for the better). I think "legwork and practice" has alot to do with it, on a good week I'll shoot 3-4 rolls per week and more if possible.

Todd
 
well..i can't speak for everyone but this is what has helped me...

pouring over books every night...not technical books, but mongraphs and collections of the greats...studying each picture and finding that sense of balance in the photo...

also shooting a crap load of film 🙂 just thinking about making great photos doesn't ensure actually making them...i shoot about 50 rolls of film a month just for my "personal" work...you have to experiment, you have to bring your camera with you at all times, you have to make taking a photo an instinctual response...you have to get to the point where if you can't/don't take a photo it actually hurts...

somewhere within all that you'll have an AHA! moment...like neo in the matrix...once it makes sense you'll see what works and what doesn't in a split second...

be aware of light...is it coming from behind, from the side, from the front....look at good photos, a lot of them don't have their subjects evenly front lit, by they try to position themeselves so the light is coming from an angle....

oh..and buy a leica 🙂

ps..that last one was a joke
 
i take that back..buy a leica...

that way, you never have existential gear doubt....

there's no hemming or hawing about "if only i had a..." ...you know that your photos aren't up to snuff not because of any failing of your equipment...

🙂
 
I agree lots of practice both out shooting and also in the darkroom :bang:

Over time my style has also changed and I noticed my biggest improvement moving back to a basic manual camera after using a Nikon F100.

The next leap was getting my first Canonet QL17, it's everything I ever wanted in a camera but maybe I didn't have the skills to use a RF to it's full potential until recently.

Now all I have to do is keep practicing and see if I can eventually get this photography thing right 😉
 
I think the New York Institute of Photography helped me a great deal. It required some disciplined shooting and gave me a professional critique.
 
Shooting more really helped my photography. As they say, practice makes perfect.

Another thing I've been trying lately is using cameras with some form of autoexposure, whether it's full auto or just aperture-priority or shutter-priority. If I only have to worry about focusing and one other variable, I concentrate more on the composition. I've found this to be very liberating; nothing against all-manual cameras at all, but I think I get a bit of "performance anxiety" and tie myself up so much in trying to get a perfect exposure that I botch the shot completely. Maybe that's just me.

It's also been very educational to have other people, both photographers and non-photographers, look at what I shoot. If they respond strongly one way or another to a photo, I always ask why, especially if it's one that I would write off or otherwise not pay much attention to. Then I think about what I did to get the shot and try to tie that in to why it worked or didn't work.

Finally, I've been reading a lot of photography books, not looking for technical how-to information but more to expose myself to as many different photographers/styles as possible. Who does work I like/dislike? Why do I like/dislike it? How would I go about taking that shot?

Has it all worked? I don't know, but I feel more confident behind the camera than I did a few years ago. That's gotta count for something 🙂
 
what improved my technique

what improved my technique

shooting. Trial and error.

It's like writing: the more you read/write, the better your writing will be.

You learn how to "see" more effectively. I mean, you learn to really notice things around you, and to instinctively pair a scene with technique. Your eyes widen (so to say). You walk down the street and see something and the means to capturing it come to mind almost effortlessly. That comes purely from experience, purely from years and thousands and thousands of photographs. It comes from reflecting on all the mistakes, all the times you missed a shot and pinpointing the reasons why it was missed. The camera becomes part of your body rather than an object - all the controls become second nature for the fingers.

Beginners start out with the sense that the camera is something that must be overcome in order to get what they see onto the film. It is an object that seems to control the situation and they are simply at its mercy. That is natural, like driving a car. More time in the drivers seat will grind down those edges and it will become natural.

You learn to identify the aspects of an image or a subject or anything that makes or breaks a photo. You do this merely through the process of sifting through shots that you've taken, looking for the good ones to print. People often shoot a roll of what they thought were great images, then get home, and find themselves disappointed because the film failed to capture something or everything. You learn to understand what the camera sees versus what you see, and how the film is going to remember it. You start to see like the camera sees.

The repetition of shooting and printing teaches you what looks best. It is a kind of reward/punishment method of psychological conditioning. The results of your shooting are going to make you happy or unhappy, and like shooting yourself in the foot or touching the hot stove, you quickly learn to avoid the 'wrong' technique.
 
Cool thread.

Just getting out there is important. The more you shoot, the more you learn about your style.

Understanding DOF and hyperfocal distance also make a difference, too.
 
Shooting and more shooting. Which for me has happened because of moving to my FSU cameras - the Kievs especially. I've found simple practice does more than anything else and the sheer pleasure I get from the Contax/Kiev style of camera (especially my Kiev 5) makes me want to get out and practice. I've still got a long way to go, I feel, but I also feel like I'm much better than when I started here 9 months or so ago.

William
 
Coming here as helped me tremendously.

I find now that I've made the switch to RF's, I'm actually going out and shooting more often. Not sure why, but I think it has to do with the sheer bulk of my SLR kit and my reticence to haul it all around. I don't have that with an RF. Hence, I'm out with my cameras more and I'm taking more pictures, which is leading my being a better photographer. I'm not "there" yet, but I'm on the way.

I hope.
 
I,m not sure it was a single thing. I offer the following.

* Joining this forum
* Reminding myself to follow the rule of thirds
* Conciously encouraging myself to keep my eyes open for oportunities
 
Exposing lots of film.

Working to shoot one really great image and 99 bad ones instead of 100 "pretty good" ones.

Occasional critical self reviews of what I considermy "good stuff" I've shot in the last year or two.

Studying some photographers entire body of work instead of focusing on a few images

Spending more time and effort studying and understanding my subject than I do about photo equipment or film.
 
I think the thing that has improved my photography a lot is, believe it or not, GAS. I've gotten a few different cameras now and realized that it isn't the camera that makes the photo. I've taken good shots with all the cameras that I have now, even the toy ones, and I've come to the conclusion that while I love having different types of cameras to use, I can take a good photo with anything if I set my mind to it.

Then there's also the whole 'don't think' thing that I've been experimenting with. It is also helping.
 
Location. Location. Location. No wait. That's real estate.

With photography it's practice. Practice. Practice.

Doing your own darkroom work is very helpful - shooting slides if you can't do your own darkroom work. Looking at lots of pictures.

Reading books to completely understand the technical aspect of photography is the foundation upon which you can build.

Be open and intuitive. Don't be afraid to make mistakes.

Reading Sontag's book: On Photography, has not helped.
 
Practice makes the master.

Second, get yourself to as many showings of photographers whose work you admire. Nothing beats seeing an artists work first hand.

Tom
 
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