JPSuisse
Well-known
Hi Everybody
So, I've been developing with Ilfotec DD-X for a good half year now. Since I'm an enthusiast only, I am sticking to one developer only. I can't have bunches of chemicals around that just don't get used.
My goals are simply black and white with good tonality and a fairly contrasty negative write out of the scanner (assuming a raw scan without any adjustments by the scanner software.)
GOOD
I have found that Ilfotec DD-X with Kodak 125 PX and Fuji Neopan 1600 (EI 800) pretty much achieve my goals. Especially 125 PX has great tonality and is a little less contrasty. Neopan 1600 is a little more contrasty or punchy with slightly less tonality.
BAD
Ilford FP4 Plus 125 and Ilford PanF 50 seem to have much more restricted tonality and contrast when developed in Ilfotec DD-X. I'm just now testing Kodak Tri-X 400. We'll see.
What are your experiences with this developer? Which films develop best in this developer and why?
Cheers,
JP
So, I've been developing with Ilfotec DD-X for a good half year now. Since I'm an enthusiast only, I am sticking to one developer only. I can't have bunches of chemicals around that just don't get used.
My goals are simply black and white with good tonality and a fairly contrasty negative write out of the scanner (assuming a raw scan without any adjustments by the scanner software.)
GOOD
I have found that Ilfotec DD-X with Kodak 125 PX and Fuji Neopan 1600 (EI 800) pretty much achieve my goals. Especially 125 PX has great tonality and is a little less contrasty. Neopan 1600 is a little more contrasty or punchy with slightly less tonality.
BAD
Ilford FP4 Plus 125 and Ilford PanF 50 seem to have much more restricted tonality and contrast when developed in Ilfotec DD-X. I'm just now testing Kodak Tri-X 400. We'll see.
What are your experiences with this developer? Which films develop best in this developer and why?
Cheers,
JP