which lamp for variable contrast paper

vicmortelmans

Well-known
Local time
8:20 PM
Joined
May 2, 2005
Messages
316
Hi,

my darkroom setup is based on a very old and basic b&w enlarger, which, when I obtained it, had no lens, no lamp, no negative carrier and no filter holder.

I mounted an M42 Takumar on it, made myself a (kind of) negative carrier and I can also put the Ilford variable contrast filters below the lens.

Now I'm a bit puzzled about the lamp. I bought a powerfull halogen lamp in the nearest store. It allows to stop down to 5.6 ~ 8 and have exposure times of ~8 seconds (for 13x18cm prints), so the power is OK.

Yet, I noticed that the contrast of normal paper (grade 3) is higher than variable contrast paper with the grade 3 filter on. Is this normal? Or is my lamp not suited for this configuration and maybe adding a color cast?

Are (b&w) enlarger lenses any special? Which kind of fittings do they come in (my enlarger has the same fitting as normal home armatures).

Groeten,
Vic
 
Most older enlargers used the PH series of lamps. These were:
PH211 - 75W
PH212 - 150W
PH213 - 250W
In my Durst 606, I use the PH212, while in my Knidermann 6X9 enlarger I use a PH213. I would start with the PH212 and see how it works.
As for enlarging lenses - they are different than camera lenses. They are designed for a really flat field, as both your negative and paper are flat. Generally a camera lens has a curved field as you are taking photos of a three dimensional world.
That said, for years I used a Scheinder 75mm f4.5 lens salvaged from an old Voightlandr camera for my 6X6 work and it worked pretty good stopped down. Opened up, I could either get sharp center or sharp corners, but not both.
Enlarging lenses are pretty cheap now, so it would be worth picking one up.
 
Back
Top Bottom