Tuna
Fotoğrafçı
http://www.nytimes.com/2014/07/06/a...s-come-to-life-after-death.html?ref=arts&_r=0
I hope my title doesn't injure any sensibilities this time...
I hope my title doesn't injure any sensibilities this time...
1)
4) Only a non-photographer would port forth the ridiculous proposition that Winogrand needed to develop and see all the photos he shot, as any photographer with years of experience, let alone one of Winogrand's caliber can see the photo in his/her mind and hold it up, examine it, and caress it as though it were as tangible and real an item as a booger in his nose.
It probably will, but who gives a rip...thanks for sharing.http://www.nytimes.com/2014/07/06/a...s-come-to-life-after-death.html?ref=arts&_r=0
I hope my title doesn't injure any sensibilities this time...
"Although Henri Cartier-Bresson’s compositions remain constant (he didn’t crop), he printed differently at stages of his life, so the softly modulated grays in the images that he printed himself in the early 1930s reappear as high-contrast photographs that he had made for collectors in the ’60s."
About the thread title, and not so much about the link:
Every time the question "can photography be art?" comes, we can be sure, totally sure, about one thing only: we should talk first about what art is.
That, in case what we want is communication.
And then proceed to talk about photography.
If forum members wrote "to me, art means x..." and "then, as photography can / can't be x, because of its..." threads on this subject would be as interesting as we deserve.
Cheers,
Juan
Thinking along the same lines, I'd personally say that photographs can be art, but I'm quite glad they don't have to be. Mine are just photographs, and you can make of them what you will. Some of them I quite like, some not so much. We might agree about the "like" thing, or not. That's OK by me.About the thread title, and not so much about the link:
Weird article. Couldn't finish it.
I say, this dude doesn't seems to know about uncoated, less contrast lenses available in 30s."Although Henri Cartier-Bresson’s compositions remain constant (he didn’t crop), he printed differently at stages of his life, so the softly modulated grays in the images that he printed himself in the early 1930s reappear as high-contrast photographs that he had made for collectors in the ’60s."