mfogiel
Veteran
I really like the C Sonnar, and I think to use it best one has to understand its characteristics, Carl Zeiss marketing people have done a lousy job here - instead of playing this lense's winning card, which is its particular optical construction and the resulting rendering, they've publicized it as a "reporter" lens - sort of cheaper Summilux - which obviously the C Sonnar is not. Later they explained it was an "artistic lens" without adding much more...
Considering that the questions relating to this lens come up often, I've decided to show the results of a fast test I had done for my own use: no test charts, no tripod, no pretending the results are gospel... I use this lens to shoot handheld portraits in available light, and this is exactly what i did - a series of shots from F 1.5 to F 8 with my usual film (XP2), very little post processing and next to no sharpening, to transmit the lenses characteristics as much as possible.
I'd like to thank my friend Giuseppe who lent himself as a model during a brief visit at a photo exhibition in Corso Como 10, Milan.
Here's the link to the photos:
http://www.flickr.com/photos/59177039@N00/sets/72157600947495044/
Considering that the questions relating to this lens come up often, I've decided to show the results of a fast test I had done for my own use: no test charts, no tripod, no pretending the results are gospel... I use this lens to shoot handheld portraits in available light, and this is exactly what i did - a series of shots from F 1.5 to F 8 with my usual film (XP2), very little post processing and next to no sharpening, to transmit the lenses characteristics as much as possible.
I'd like to thank my friend Giuseppe who lent himself as a model during a brief visit at a photo exhibition in Corso Como 10, Milan.
Here's the link to the photos:
http://www.flickr.com/photos/59177039@N00/sets/72157600947495044/