To be honest, I don't get it completely with all these Konica "Limited edition stuff".
As it is a small market niche, you can reach collectors best if a small series is called "limited edition". I.e. the UC-Hexanon 35/2 which limited (1,000 pieces) edition is available again on the new market, and this is common focus lenght/speed, and a desirable, good lens, not only for a small number of rich collectors but for users as well. So I wonder, where are all these (2,000 pieces) 50/1.2 gone ? And all these 60/1.2? (another "limited series" as well!)
All guys who are bored because "everybody" still has a Noctilux, or a Canon 50/1.2 which cost less than 1/10 of it in a like-new condition?
Of course, all of them nicely made, but so big and heavy! 62mm filter for a RF standard lens, uff! (OK a Canon 50/0.95 has 72mm but it's the fastest 35mm lens in the world anyway)
So I didn't get it, sorry. Maybe someone could explain it to me.
I haven't seen a lens diagram of both designs yet, probably there's no one published, but do any of the buyers care if they just got a re-designed - pretty good - SLR lens for that money.
Who knows...
Cheers, Frank