cosmonaut
Well-known
I am thinking of getting a 50mm lens for my M6. Which one do you feel gives you that vintage look to B&W's?
JNewell
Leica M Recidivist
There are so many choices and so many personal views...but since you asked, for "vintage" Leica look in B&W, it'd be hard to beat a clean dual range or equivalent version ridgid Summicron. Actually, given the issues that some M6s have with the DR, I'd look at the rigid (which should be a little less expensive and has IMO better ergonomics anyway).
cosmonaut
Well-known
I have the Summitar but haven't used it much. How does it rate? IYO The only thing I find frustrating with it is focusing going all the way to 100 ft before infinity.
kully
Happy Snapper
If you want proper vintage then go for a uncoated summitar or even a summar. However, the Summicron's JNewell recommends are easier to live with (flare).
xayraa33
rangefinder user and fancier
a 50mm f1.4 Nikkor in LTM will give you that Life magazine in the 1950s look.
Keith
The best camera is one that still works!
Are we talking strictly Leica lenses here or are you thinking of 50mm lenses generally? I can highly recommend the f1.2 Canon that I bought through the classifieds a while ago ... or maybe the f1.4 if one comes up. I really like the classic look of the 1.2 Canon, it's softish wide open for portraits and sharpens up considerably when stopped down slightly but always retains the character that makes it so appealing. It can be a little prone to flare in some conditions and is rather large and heavy but that said, it is by far my favourite lens in this focal length. I have a couple of classic Leica 50's (DR Summicron and f3.5 Elmar ... Summitar and collapsable Summicron) but always find myself choosing the Canon when I don't want the clinical precision of my 50mm Hex. Mine cost me around $400.00 with the rather hard to find genuine hood!
You'll find some very nice pics taken with this lens if you do a search.
You'll find some very nice pics taken with this lens if you do a search.
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cosmonaut
Well-known
I am open to anything unless you get over a grand. I am thinking about end of summer with the purchase.
vrgard
Well-known
I second JNewell's recommendation for a rigid Summicron. If size is more of a desire of yours then consider a collapsible Elmar M 50/2.8.
-Randy
-Randy
Keith
The best camera is one that still works!
One of the lenses that stood out in a recent thread to me was the Summar ... I seem to remember that Ned (NB23) had a Summar Pics thread going with some amazing examples in it!
[edit] ... actually I've just remembered it was the Summarit not the Summar.http://www.rangefinderforum.com/forums/showthread.php?t=44061
[edit] ... actually I've just remembered it was the Summarit not the Summar.http://www.rangefinderforum.com/forums/showthread.php?t=44061
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hans voralberg
Veteran
Get a Summar, I just acquired a clean sample and it looks great on BW, quite soft and mellow. The Summarit is sharper, with that swirling bokeh if you're into it
JeffGreene
(@)^(@)
Dante Stella who is on this site frequently has a presentation of a range of Canon rangefinder lenses both 35's and 50's. I like the Canon 1.4 personally as well as the Voightlander 50 1.5 and also have a Canon 1.9 that I wouldn't recommend. There are members here with many 50's (many to me means more than 3
) I have three. :angel:
John Elder
Well-known
50 summilux, 2nd version.
For black and white, the older lenses with less contrast offer many advantages. I like the Summitar and collapsible Summicron.
Another lens to consider is the Summarit. Wide-open it is soft, but makes for a fine portrait lens. Stopped down to F4 it is hard to tell from the Summicron. It offers the speed advantage of F1.5, but cost about the same as a collapsible Summicron. It is about 1/2 the price of the Summilux. It is prone to internal haze, and cleaning marks. Look for one that has been cleaned recently, and sold by someone that actually has used it.
Another lens to consider is the Summarit. Wide-open it is soft, but makes for a fine portrait lens. Stopped down to F4 it is hard to tell from the Summicron. It offers the speed advantage of F1.5, but cost about the same as a collapsible Summicron. It is about 1/2 the price of the Summilux. It is prone to internal haze, and cleaning marks. Look for one that has been cleaned recently, and sold by someone that actually has used it.
payasam
a.k.a. Mukul Dube
Cosmo, maybe you already have what you want in the Summitar. You could blast off a couple of rolls at medium and wide apertures before looking for another lens.
mr_phillip
Well-known
Cosmo, maybe you already have what you want in the Summitar. You could blast off a couple of rolls at medium and wide apertures before looking for another lens.
My thoughts exactly. I certainly don't see the point in looking at a Summar if you already own a Summitar (they're really similar once you get past f2.8 or so).
The only thing more I'd add is that there are a few modern lenses available that have a distinctly vintage character optically, but with all of the advantages of modern build and flare resistance. Depending on your budget you could look to either the ZM C-Sonnar 1.5, the Voigtländer Heliar-Classic or the Voigtländer Heliar 3.5 (the latter is discontinued and getting harder to find though).
raid
Dad Photographer
I don't know which type of look you prefer from a 50mm lens. It is the most versatile lens, in my humble opinion. I have many 50mm lenses, and the list only gets longer each year.
Elmar 5cm/3.5 5cm/2.8
Summar
Summarit
Summitar
collapsible Summicron
rigid Summicron
Nikkor 5cm/2
Zeiss Jena 5cm/2
Luxon 50mm/2
Canon 50/1.2 50/1.4 50/1.8
J-3 5cm/1.5
I-50 rigid 50/3.5
I61-L 50/2.8
The 50mm lenses above are either in M mount or in LTM. Take your pick. Each of the lenses is special to me.
Elmar 5cm/3.5 5cm/2.8
Summar
Summarit
Summitar
collapsible Summicron
rigid Summicron
Nikkor 5cm/2
Zeiss Jena 5cm/2
Luxon 50mm/2
Canon 50/1.2 50/1.4 50/1.8
J-3 5cm/1.5
I-50 rigid 50/3.5
I61-L 50/2.8
The 50mm lenses above are either in M mount or in LTM. Take your pick. Each of the lenses is special to me.
monochromejrnl
Well-known
consider the Canon 50/1.5 sonnar design is awesome for B&W... cheaper than most of the vintage Leica lenses or the Nikon equivalent, sharp throughout the speed range and it's beautilfully built...
of course, all of this depends on what YOU are looking for in a 50mm...
good luck.. you've got plenty of options..
of course, all of this depends on what YOU are looking for in a 50mm...
good luck.. you've got plenty of options..





summarit-M, wide-open on the M3
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cosmonaut
Well-known
I will shoot some with the Summitar and see how it goes. I thought it would be more suited as a portrait lens? What's a good combination B&W film?
Gabriel M.A.
My Red Dot Glows For You
I am thinking of getting a 50mm lens for my M6. Which one do you feel gives you that vintage look to B&W's?
Any Leica 50mm made up to the first version Summicron.
The very early LTM Canon 50mm lenses.
And, if you are feeling "contrarian", believe it or not, a CV 35mm f/1.7 Ultron
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