amateriat
We're all light!
Yesterday, I was on my bike, on my way to see a client, when I came upon a police road block...one of those Cushman-like vehicles that's long been a NYPD mainstay. I carefully crept past the vehicle and stopped next to the officer standing about ten yards away, asking if it was okay for me to head down the block.
"No problem", he said, "Just watch for any fuel spillage crossing 4th Avenue."
Ah...bad old 4th Avenue. Drag-strip to the harried, driven masses, and home to many a serious accident (some years ago, an Army recruiting guy in a Chevy Cavalier changed lanes a bit too inattentively, and smacked me clean off my bike...in broad daylight. Amazingly, I managed to get away with little more than the usual scrapes, cuts and bruises.) This time it was a couple of Livery cars that tangled in a manner that suggested that "right-of-way" was an abstract concept to both drivers.
There were a few patrol cars, one unmarked car, an EMS vehicle (someone got hurt, but apparently not too badly)...and, one cop taking pictures of the aftermath. With a cheap Polaroid camera. Not something semi-swoopy like a Spectra (I have one around here, somewhere...I don't even know if I can still buy film for it). From where I stood, it looked like a One-Step model.
As I walked my bike back up the blocked-off street, I was curious enough about this to want to have a word with the cop I talked to before. Do they use Polaroids because of the need for not-easily-tampered-with documentation? Is shooting digital problematic in a situation like this?
The officer confirmed all of this. In the event of an accident where legal charges and counter-charges will fly around, whatever evidence is brought forth has to be as bulletproof as possible, he told me. It's not as sexy as some gal hoisting a Canon 1D or the like on CSI, but it gets the job done, and uncontested.
And, even though I didn't ask, I presume they're getting their film from Fuji, unless there's a huge stash in some storeroom nobody's talking about. (The way My Fair City's budget is about to get hammered, hoarding's not a bad idea...)
- Barrett
"No problem", he said, "Just watch for any fuel spillage crossing 4th Avenue."
Ah...bad old 4th Avenue. Drag-strip to the harried, driven masses, and home to many a serious accident (some years ago, an Army recruiting guy in a Chevy Cavalier changed lanes a bit too inattentively, and smacked me clean off my bike...in broad daylight. Amazingly, I managed to get away with little more than the usual scrapes, cuts and bruises.) This time it was a couple of Livery cars that tangled in a manner that suggested that "right-of-way" was an abstract concept to both drivers.
There were a few patrol cars, one unmarked car, an EMS vehicle (someone got hurt, but apparently not too badly)...and, one cop taking pictures of the aftermath. With a cheap Polaroid camera. Not something semi-swoopy like a Spectra (I have one around here, somewhere...I don't even know if I can still buy film for it). From where I stood, it looked like a One-Step model.
As I walked my bike back up the blocked-off street, I was curious enough about this to want to have a word with the cop I talked to before. Do they use Polaroids because of the need for not-easily-tampered-with documentation? Is shooting digital problematic in a situation like this?
The officer confirmed all of this. In the event of an accident where legal charges and counter-charges will fly around, whatever evidence is brought forth has to be as bulletproof as possible, he told me. It's not as sexy as some gal hoisting a Canon 1D or the like on CSI, but it gets the job done, and uncontested.
And, even though I didn't ask, I presume they're getting their film from Fuji, unless there's a huge stash in some storeroom nobody's talking about. (The way My Fair City's budget is about to get hammered, hoarding's not a bad idea...)
- Barrett
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