ulrikft
Established
I think I'll buy one as soon as I can get a beat up copy used for 3000 USD and have the cash for that and a CV 20, 35, 50 and a leica 75 2.0... I wonder how much such a kit would weigh.. CV 20/4, 35/1.2, 50/1.1 and 75/2 + m9?
My current kit, as described earlier, will be 995g (body) + 524g (85 1.4) + 505g (50 1.4) + 300g (24 2.0) + 385g (35 1.4), that is almost 3kgs, plus memory cards, batteries and the bag itself, close to 3.3kg.
Leica kit: 136g (24 4.0, lose a lot of light here, but I shoot f/8 wide most of the time) + 490g or 200g (35 1.2 or 1.4) + 428g (50 1.1) + 345g (75 2.5) + m9 (585g), about 1.6kg if I choose the light solution and about 1.9kg if I choose the heaviest solution. with batteries and bag, 2-2.2kg.
We have gotten used to outrageous prices for Leica because of the small economics of scale and needed high margins. There is nothing that Leica seems to sell in volume to pad the low volume products. Zeiss is a much larger company and could do with far more standard markups.
And if you think it WON'T hold it's value better than any other digital camera, I think you're deluding yourself.If you think the M9 will hold its value better than any other digital camera, I think you're going to be disappointed.
Another way to look at it would be to ask why you're running around with four fast primes on a DSLR. Moreover since your DSLR is the model with the best low-light performance on the market and you say that you shoot f/8 most of the time. So I'd think of replacing them with a very good zoom (such as a 24-70/f2.8 at 890 grams) and maybe taking one fast prime for low-light shots. We're not in the 70s anymore where zoom == bad image quality.
Ultimately the question is which style of camera operation you prefer. It's more important to think about whether you actually prefer a rangefinder and how much that is worth for you.
I shoot wide at f/8, other than with my 24mm, 90% of my shots are 1.2-2.0. I like fast primes, they suit my style, and I would run around with fast primes on a rangefinder as well as a slr.
Dear Pavel,Roger; no I think that Leica would like to get to the money in any way they can but are in a transitional period which right now makes it unlikely that they can compete in volume and cheap prices. I have no doubt that they are doing the best they can.
As for confusing the size of the market ... I don't know but it seems that the market for $8000 dollar cameras is very different from the market for $2000 cameras, don't you agree? The price Leica is stuck in defines the market for the most part, I'd say. I personally think that Leica is stuck right now between a rock and hard place. They need to appeal to their old base which expects the ultimate in craftsmanship, but the craftsmanship of the old days is now a very unafordable luxury. Good plastic is todays great quality. Can you imagine the old leica guard if Leica became a regular company dealing in regular high volume products. That would eat at the branding and I wonder if many would not abandon Leica - while at the same time Leica is not ready to play the commodity game?
Outrageous prices? Yes they are. 1100 percent premiums for that last 2 percent in quality.
The last thing that I'd like to say is that I believe that Leica's traditional strength in high quality (IQ wise) lenses is a strength which film makes thrive but in the digital world is not very important. Past a certain threshold of quality of the glass ... software makes the differences of that last ounce mute. Contrast and apparent sharpness seems now, with software tweaks, to be available at unbelievably low prices out of seemingly third grade lenses. Just look at the panasonic files of the G1. A one hundred dollar lens, tweaked to minimize flaws in software, does a shockingly good job.
Leica-philes (of which I'm one) are stuck in old ways in more ways than one.
The M9 does nothing to make me feel that Leica is an adaptive dinosaur. The same ol'. The same ol' way. That is like taking a formula which lost you the game ... and polishing it. The M9 is one wonderfully polished and shiny object of day gone by - No doubt.
But RogerDear Pavel,
For the highlighted portion: elsewhere I quote Lobb boots at about $5000 a pair. In cars there are Ferraris or Bristols: the $500,000 car is almost commonplace. A Savile Row suit is maybe 50x the price of a cheap off-the-peg.
Leicas are quite affordable by these standards -- less than 10x the price of a very ordinary camera -- but people don't want to apply these standards. It's precisely because they are so much more affordable than Lobb, Bristol or Gieves that more people are aware of them and hanker after them.
Turn it around, though, and it looks to me very much as if there really were a market for $2000 M9, and the possibility of making them at this price, someone would have jumped in and made one. The fact that no-one does make them suggests to me that Leica meets the demand very well, at a price which allows them to stay in business.
Cheers,
Roger
The M9 does nothing to make me feel that Leica is an adaptive dinosaur. The same ol'. The same ol' way. That is like taking a formula which lost you the game ... and polishing it. The M9 is one wonderfully polished and shiny object of day gone by - No doubt.
But Roger
The comarisons that you are making are essentially luxury and fashion accessories. I think it is the worst possible stereotype for leica. Those guys refered to as "strokers" who never take pictures.
The M3 in its day might have been expesnive but professionals would pay because there was not a comparable alternative. Hasselblad again had little competition for many years so pros would find the cash. The question regarding the current M9 essentially in terms of its value is "Is this the only way I can get those shots? If so it is worth it. We shall soon see. What interests me at the moment is that people are finally admitting the flaws in the M8 when a few months ago they would have defended it to their last breath!
I swapped my M8 for a D700 after 3 wonderul years (still have my film M). I will probably have a look at an M9 at some stage, but quite honestly a change is as good as a rest. I had a D1x soon after it was launched and it had lots of anoying issues. It is interesting to look at the D700 a few years on and see how refined it has become. In some ways this makes me in no great hurry to rush into another digital rangefinder. Things can onyl get better.
Best wishes
Richard
Just as Leica. I think a) "handmade" and b) small quantities, is the main problem here, no superior quality per se.