paulfish4570
Veteran
:bang:
Well, my third roll to develop was a nightmare. The film was Kentmere 400. It is thinner than Tri-X, which caused extreme handling difficulties in the changing bag.
It just did not want to stay in the reel, or it would bunch up after I had wound on a few frames.
Then I would have to pull the film out ansd start over, manhandling it again. I was reeling with the film still in the little can. Finally, I reel until I feel a stop in the can, so I cut it off, but it will not finish reeling. Had to start over, and over, and over, creasing the film, and tearing a sprockey hole.
Anyhow, I get it loaded and into the Paterson tank. I messed up the development, too, by setting the tank on its covered top for several seconds, draining the devloper away from the film for that amount of time. Oh no! I turn it back over and continue the drill.
Finally, after washing, I pull the film and it is only 15 negatives. The rest stayed in the cassette! And, the negatives were horrid. I did salvage three prints. I hope the grain clumpiness is a result of the messy development, and not a trait of the film. Anyhow, here are some mightily touched up pics from those terribly maltreated negatives, shot on my FED-2d, and a Frankenstein elderly Industar-50 with an optics module from an as-new I-50-2, the SLR M42 version:
This one required the least spotting of defects:
This one required at least 500 spot fixes (or so it seemed):
This one had sweeping slashes through it:
It is good to have photoshop and its mighty healing brush, but boy it is chore form my nervous mouse hand. 🙂
Well, my third roll to develop was a nightmare. The film was Kentmere 400. It is thinner than Tri-X, which caused extreme handling difficulties in the changing bag.
It just did not want to stay in the reel, or it would bunch up after I had wound on a few frames.
Then I would have to pull the film out ansd start over, manhandling it again. I was reeling with the film still in the little can. Finally, I reel until I feel a stop in the can, so I cut it off, but it will not finish reeling. Had to start over, and over, and over, creasing the film, and tearing a sprockey hole.
Anyhow, I get it loaded and into the Paterson tank. I messed up the development, too, by setting the tank on its covered top for several seconds, draining the devloper away from the film for that amount of time. Oh no! I turn it back over and continue the drill.
Finally, after washing, I pull the film and it is only 15 negatives. The rest stayed in the cassette! And, the negatives were horrid. I did salvage three prints. I hope the grain clumpiness is a result of the messy development, and not a trait of the film. Anyhow, here are some mightily touched up pics from those terribly maltreated negatives, shot on my FED-2d, and a Frankenstein elderly Industar-50 with an optics module from an as-new I-50-2, the SLR M42 version:
This one required the least spotting of defects:

This one required at least 500 spot fixes (or so it seemed):

This one had sweeping slashes through it:

It is good to have photoshop and its mighty healing brush, but boy it is chore form my nervous mouse hand. 🙂