35mm lenses vs 28mm lenses

I recall reading years ago that where a 50mm lens (on 35mm film) approximated a person's 'normal' perspective, a 28mm lens (on 35mm film) approximated a person's field of view. But, as 35mmdelux points out, it's all about how you see. For example, I'm a detail person, so I tend to gravitate toward the longer focal lengths (105mm on an F3, 90mm on the M-mount). On the other hand, I have never been very successful with wide lenses on 'miniature' format cameras (by 'successful,' I mean making pictures I find interesting). I do own a 28mm M-mount (Zeiss Biogon) and have coverage in F-mount (18-35mm zoom after selling a 28mm AIS f/2.8), but these are my least used lenses.

YMMV
 
If 35mm lenses give a wide field of view than isn't a 28mm lens better?:rolleyes:

Better for what?

I find the 35mm focal length better than the 28mm (on a 35mm camera) for “street shooting” because the 28mm give me more distortion than I want.

I find my 35mm focal length better than my 28mm (on a 35mm camera) for shooting in dim light because my 35mm is an f/1.4 while my fastest 28mm is an f/2.8.

I find the 35mm focal length better when I am carrying 85mm and 180mm lenses.

I find the 28mm focal length better when I am carrying 50mm and 105mm lenses.

I find my 28mm focal length better than my 35mm (on a 35mm camera) for landscapes and architectural because I usually need the wider coverage, plus, my 28mm f/4 is a perspective control lens while my 35mm is not.

I find the 28mm focal length better (on a 35mm camera) for macro shots when mounted in reverse position on a bellow unit because I can get higher reproduction ratios than I can with the 35mm.

I find the 28mm focal length better than the 35mm (on a 35mm camera) when shooting in tight quarters.
 
I usually carry a slow 28 and fast 35 - that combo is smaller than a fast 28.

28 can always be cropped to 35, without much loss. :eek:
 
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I've never gotten along with 35s much. It's not as in tight as a 50 and doesn't take in as much as a 28, so, to me, it always seems like it's a poor compromise between my main ways of seeing photographs.

Of course, all that changed on the M8, where 35 is the new 50 and 21 is the new 28.
 
you need a 28mm. you cannot live without one. you are getting sleepy...so sleepy...

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you need a 28mm. you cannot live without one. you are getting sleepy...so sleepy...

You make it sound like a joke. Never ridicule the 28mm focal length.

In all seriousness - a 28 on a Leica is very close to what I consider photography heaven, one should at least give it a shot.

martin
 
You make it sound like a joke. Never ridicule the 28mm focal length.

In all seriousness - a 28 on a Leica is very close to what I consider photography heaven, one should at least give it a shot.

martin

Absolutely. The Ultron 28/1.9 on my M4-P is a mighty machine for making pictures.
 
Better for what?

I find the 35mm focal length better than the 28mm (on a 35mm camera) for “street shooting” because the 28mm give me more distortion than I want.

I find my 35mm focal length better than my 28mm (on a 35mm camera) for shooting in dim light because my 35mm is an f/1.4 while my fastest 28mm is an f/2.8.

I find the 35mm focal length better when I am carrying 85mm and 180mm lenses.

I find the 28mm focal length better when I am carrying 50mm and 105mm lenses.

I find my 28mm focal length better than my 35mm (on a 35mm camera) for landscapes and architectural because I usually need the wider coverage, plus, my 28mm f/4 is a perspective control lens while my 35mm is not.

I find the 28mm focal length better (on a 35mm camera) for macro shots when mounted in reverse position on a bellow unit because I can get higher reproduction ratios than I can with the 35mm.

I find the 28mm focal length better than the 35mm (on a 35mm camera) when shooting in tight quarters.

Here we go again -- situational judgments! We need more absolutes.;)
 
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