FM3a Users

If a Voigt SLII 40mm f2 is in your price range, give it serious consideration. I find that it pairs perfectly with the FM3a. A superb lens and I really like the focal length.
100% agree. Pete Smith OBM tested the Voigt 40/2 and said it was the sharpest lens he had ever seen.
 
If your wallet needs to recover, get yourself and your new Nikon a 1.8/50 Series E. It is small, cheap, light and performs well. You will need AI/AIs lenses for your camera (the difference is irrelevant for the FM3a). AF lenses work as well, if they have an aperture ring. I'm a big fan of the FM/FE type cameras, and the FM3A is particularly nice.

P.S.
Check this site.

Another vote for the Series E. Even if you decide to get something else, get this ALSO. Not just for the size/profile. It just renders so beautifully. This is the only lens where i've wanted multiple copies....
 
I have a 50 f1.8 Nikkor for my FM3a and it's an amazing lens - a much, much better fit for the tiny FM3a than the faster lenses.

I would not pair a 50 1.2 with this small body - handling really suffers.

I don't know, which version of the lens I have, but it's built is exceptional and manual focus feel is right up there with the most expensive Leica-M lenses, I use.

I picked mine up for a bargain at way under 100 EUR a few years ago.

If you are in for a second lens, have a look, if you can find a Nikkor 28 f2.8 with 0.2m close focussing - these two lenses are a fantastic pairing with the small FM3a (while the 28mm is an exceptional lens in all accounts!
 
OK, I'm returning to this thread to report that I've just (finally) run a roll of film through the camera. All I can say is that this is without a doubt the greatest slr I've ever used! I cannot praise it highly enough. It's extremely intuitive and easy to use, and I love the display in the viewfinder more than any camera I've ever used. The camera actually has a display for the f-stop! The meter read-out is fantastic!

I actually shot a roll and then switched to my Bessa R4 and I greatly preferred the FM3a ( yes - it may be heresy ). It may just be the "shock" of the new, but this is one incredible camera. I simply love it!
 
OK, I'm returning to this thread to report that I've just (finally) run a roll of film through the camera. All I can say is that this is without a doubt the greatest slr I've ever used! I cannot praise it highly enough. It's extremely intuitive and easy to use, and I love the display in the viewfinder more than any camera I've ever used. The camera actually has a display for the f-stop! The meter read-out is fantastic!

I actually shot a roll and then switched to my Bessa R4 and I greatly preferred the FM3a ( yes - it may be heresy ). It may just be the "shock" of the new, but this is one incredible camera. I simply love it!

Great, pictures would be terrific!:angel:
 
With my FM3A, I primarily use a 55mm/2.8 AIS -- probably one of the sharpest Nikon AIS lenses ever made. However, there are times when I'd like something shorter so I may pick up an Ultron 40/2. pancake.
 
The sharpest nikkor I have is the 55 2.8 af macro lens. It's performance is excellent as a macro lens and a normal lens. A bit bulky but a great lens nonetheless. If you ever decide to get a longer lens for portraits, it has to be 105 2.5 ais (with built in hood).

I have 50 1.8 and 1.8D af versions. They are both great and not that expensive. Good luck.
 
Got it - just let me develop them first!

Can't wait to see them. You inspired me to pick up the FE2 and run a roll through it myself. So, while I am working on that, I decided to make it my one camera one lens rig for the week.

Not only that, but I started looking over mir.com to familiarize myself with the similarities and differences between the FE2 and the FM3A. Great reading IMO.:)
 
OK, I'm returning to this thread to report that I've just (finally) run a roll of film through the camera. All I can say is that this is without a doubt the greatest slr I've ever used! I cannot praise it highly enough. It's extremely intuitive and easy to use, and I love the display in the viewfinder more than any camera I've ever used. The camera actually has a display for the f-stop! The meter read-out is fantastic!

I actually shot a roll and then switched to my Bessa R4 and I greatly preferred the FM3a ( yes - it may be heresy ). It may just be the "shock" of the new, but this is one incredible camera. I simply love it!


I found my FM3A to be a little disappointing viewfinder wise ... though I agree they handle beautifully!

ps ... that's a lovely photo Jon. :)
 
I have a Nikkormat FT2, and the Nikon 50 2.0 non-ai lens that came on it is as sharp as a pin. Actually, all of the Nikon 50 lenses are very good. But I think the Leica R lenses are better, so I'm scheming to afford a 50 R Summicron w/ an adapter for the FT2. It's just something I do w/ every Nikon camera that comes my way....sooner or later they all end up w/ a Leica lens on them. My "new" Chinon CE-4 would like one too (in K mount), so I'd better order 2 adapters so I can shoot that Summi on both systems.
 
I have a Nikkormat FT2, and the Nikon 50 2.0 non-ai lens that came on it is as sharp as a pin. Actually, all of the Nikon 50 lenses are very good. But I think the Leica R lenses are better, so I'm scheming to afford a 50 R Summicron w/ an adapter for the FT2. It's just something I do w/ every Nikon camera that comes my way....sooner or later they all end up w/ a Leica lens on them. My "new" Chinon CE-4 would like one too (in K mount), so I'd better order 2 adapters so I can shoot that Summi on both systems.

The Cron R 50 is superb. Just packing mine up to send to Sherry for a little TLC...never thought about an adaptor for the FE2 Where do you get your adaptors.:)
 
Never really knew too much about the E series lenses, but I know that the idea of one of those pancake lenses is very intriguing. Although I'd really like a 1.4. I've used my dad's Nikon AF 1.4 ( on an Fe I think ) in the past, and liked it, with the exception of the manual focusing ( it seems too loose ). So, NO AF stuff - strictly manual focus.

Couldn't agree more. Whenever I use my Nikon AF 1.4 on my FM2n, it just feels like garbage. Hate the plasticy, sloppy feel of the focus, and my AF 1.4 is one of the early ones made in Japan (my sources say they are made in China now). So I would definitely look for one of the AIS manual focus lenses for your new FM3a. Congratulations on the new camera.

Best,
-Tim
 
ps ... that's a lovely photo Jon. :)

Thanks Keith :)

Jon--
This is really beautiful image quality and the 105/2.5 is but one part of the equation. What film, developer and scan parameters did you use with this image? This is some of the best B&W I have seen on the web and I'll bet it prints even better in the darkroom!
--Steve

Thanks Steve! That's high praise indeed :) The film is Neopan 400. I cheated on the developing and got my local Yodobashi Camera to do it. I think their lab uses Super Prodol for Fujifilm B&W films. I used my Coolscan 5000 to scan using basic USM settings of 20, 10, 3 but that's it - ICE etc. is turned off. In PP, I adjusted the curves slightly and cropped slightly. That's it!
 
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