kshapero
South Florida Man
No an AIS lens can work on quite nicely on any Film Nikon.I believe that the AIS version is needed by Nikon cameras offering a P program exposure mode.
No an AIS lens can work on quite nicely on any Film Nikon.I believe that the AIS version is needed by Nikon cameras offering a P program exposure mode.
100% agree. Pete Smith OBM tested the Voigt 40/2 and said it was the sharpest lens he had ever seen.If a Voigt SLII 40mm f2 is in your price range, give it serious consideration. I find that it pairs perfectly with the FM3a. A superb lens and I really like the focal length.
No an AIS lens can work on quite nicely on any Film Nikon.
100% agree. Pete Smith OBM tested the Voigt 40/2 and said it was the sharpest lens he had ever seen.
You can buy one new at B&H for a little less than USD 700, which is about €530.
Plus shipping, VAT, duties...
If your wallet needs to recover, get yourself and your new Nikon a 1.8/50 Series E. It is small, cheap, light and performs well. You will need AI/AIs lenses for your camera (the difference is irrelevant for the FM3a). AF lenses work as well, if they have an aperture ring. I'm a big fan of the FM/FE type cameras, and the FM3A is particularly nice.
P.S.
Check this site.
OK, I'm returning to this thread to report that I've just (finally) run a roll of film through the camera. All I can say is that this is without a doubt the greatest slr I've ever used! I cannot praise it highly enough. It's extremely intuitive and easy to use, and I love the display in the viewfinder more than any camera I've ever used. The camera actually has a display for the f-stop! The meter read-out is fantastic!
I actually shot a roll and then switched to my Bessa R4 and I greatly preferred the FM3a ( yes - it may be heresy ). It may just be the "shock" of the new, but this is one incredible camera. I simply love it!
Great, pictures would be terrific!:angel:
Got it - just let me develop them first!
OK, I'm returning to this thread to report that I've just (finally) run a roll of film through the camera. All I can say is that this is without a doubt the greatest slr I've ever used! I cannot praise it highly enough. It's extremely intuitive and easy to use, and I love the display in the viewfinder more than any camera I've ever used. The camera actually has a display for the f-stop! The meter read-out is fantastic!
I actually shot a roll and then switched to my Bessa R4 and I greatly preferred the FM3a ( yes - it may be heresy ). It may just be the "shock" of the new, but this is one incredible camera. I simply love it!
I have a Nikkormat FT2, and the Nikon 50 2.0 non-ai lens that came on it is as sharp as a pin. Actually, all of the Nikon 50 lenses are very good. But I think the Leica R lenses are better, so I'm scheming to afford a 50 R Summicron w/ an adapter for the FT2. It's just something I do w/ every Nikon camera that comes my way....sooner or later they all end up w/ a Leica lens on them. My "new" Chinon CE-4 would like one too (in K mount), so I'd better order 2 adapters so I can shoot that Summi on both systems.
Never really knew too much about the E series lenses, but I know that the idea of one of those pancake lenses is very intriguing. Although I'd really like a 1.4. I've used my dad's Nikon AF 1.4 ( on an Fe I think ) in the past, and liked it, with the exception of the manual focusing ( it seems too loose ). So, NO AF stuff - strictly manual focus.
ps ... that's a lovely photo Jon. 🙂
Jon--
This is really beautiful image quality and the 105/2.5 is but one part of the equation. What film, developer and scan parameters did you use with this image? This is some of the best B&W I have seen on the web and I'll bet it prints even better in the darkroom!
--Steve