bsdunek
Old Guy with a Corgi
F5.6
That’s my favorite number,
I think about it every day,
And even when I slumber.
Some days the sun is out
and it’s very bright,
f16 is the right number,
Won’t let in too much light.
Other days are cloudy,
And really awfully dim,
That’s when I choose F2,
To let that light come in.
I always take all my numbers,
Where e’r I may roam.
Unfortunately, I found,
I left my film at home.
Nutz!
That’s my favorite number,
I think about it every day,
And even when I slumber.
Some days the sun is out
and it’s very bright,
f16 is the right number,
Won’t let in too much light.
Other days are cloudy,
And really awfully dim,
That’s when I choose F2,
To let that light come in.
I always take all my numbers,
Where e’r I may roam.
Unfortunately, I found,
I left my film at home.
Nutz!
Robert Lai
Well-known
Ha! That's funny!
I rarely go up to f/16 - diffraction effects cut into performance.
I love f/4 a lot too - usually lenses peak in performance around f/4 to f/8.
I rarely go up to f/16 - diffraction effects cut into performance.
I love f/4 a lot too - usually lenses peak in performance around f/4 to f/8.
Peter_wrote:
Well-known
beautiful!
and 5.6 is indeed the best aperture, isn't it?
and 5.6 is indeed the best aperture, isn't it?
robert blu
quiet photographer
Great!
robert
robert
daveleo
what?
nice poem
with me it's f4.0 or f5.6 . . . . (it's a mood thing mostly)
